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For a reader who is new to cummings, or who is new to poetry, this poem may seem confusing at first. While the poem contains concrete images of objects such as eyes and roses, the ways that the poet chooses to describe them are often unusual or contradictory. For example, in the first stanza, the speaker talks about things that he "cannot touch because they are too near." This seems paradoxical at first, and hard to imagine, because if something is very close to somebody, that person should be able to touch it. When the reader realizes that cummings is speaking in metaphysical terms, the poem starts to make more sense, as do its image systems, which collectively evoke a sense of intense love and passion. Cummings uses two main image systems in his poem—human anatomy and nature. The poem's focus on anatomical imagery is apparent from the second line, when the speaker discusses his beloved's eyes. These eyes have such a power over the speaker that one look can easily "unclose" him. Likewise, a "frail gesture" made by the woman evokes powerful feelings from the speaker. The poem ends with anatomical imagery, as the speaker discusses "the voice of your eyes" and "small hands" that rival the manipulative powers of nature.

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