Imaginary Friends

What is the author's style in Imaginary Friends by Nora Ephron?

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Past and Present

Ephron constantly juxtaposes present, when Hellman and McCarthy are reviewing their lives in Hell, with past, which focuses on the two women's memories. This structure helps illustrate and reinforce Ephron's focus on the tension between truth and fiction. As each character remembers details of her past, the other inevitably joins in, exclaiming, "that never happened," which is usually confirmed by both. An example of this occurs when Hellman is discussing Julia's story, which was made into a film, and which she claims was based on her own life. When Jane Fonda as Hellman in Julia throws her typewriter out of the window, Hellman admits that it never happened. In other scenes, Ephron has each woman editing and staging the other's memories.

Music

Ephron places songs between scenes to enhance and comment on the action of the play. Sometimes she has an ensemble, used as a traditional chorus, as in the first act when Hellman is reminiscing about her childhood. The ensemble sings "The Fig Tree Rag" to heighten the fictional nature of Hellman's memories. In the second act, Ephron introduces two male characters, Frankie Fact and Dick Fiction, who sing about their "act." They admit that they "tend to tangle" at times, just as the main characters do, but their main point is that "fact may in fact be fiction" and "sometimes, in fact, there's fiction too."

Source(s)

Imaginary Friends, BookRags