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The centerpiece of a traveling carnival, the "woman who had been changed into a spider for disobeying her parents" proves to be a more popular attraction than the old man, causing the villagers to lose interest in him and putting an end to Pelayo and Elisenda's profitable courtyard business. As a young girl, she had once gone dancing all night against her parents' wishes; later, while walking home, she was allegedly struck by lightning and transformed into "a frightful tarantula the size of a ram . . . with the head of a sad maiden." Compared to the baffling old man, the spider-woman provides a far more satisfying spectacle. While she is at least as grotesque and fantastic as the "bird-man," she charges a lower admission price; more importantly, she is willing to communicate freely with her visitors, recounting her sad experience and inspiring sympathy for her fate. The "meaning" of her story is easy to grasp and teaches a clear moral lesson- one that confirms the villagers' conventional beliefs. In contrast, the old man makes no attempt to explain himself and seems to contradict all religious and folk beliefs about the nature of angels. His very existence raises disturbing questions, but he offers no reassuring answers.

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