1. What is visual art originally made for?
(a) A specific politician.
(b) A specific religion.
(c) A specific location.
(d) A specific theme.

2. In Chapter 2, what are the authors trying to demonstrate with the images on pages 40 and 41?
(a) That the combination of photographs and paintings creates a contrast similar to realism and abstract painting.
(b) That mixing images of men and women defines the unique qualities of each.
(c) That the combination of text and image can create a very powerful and intentional meaning.
(d) That mixing images of formal portraits and self-portraits defines the unique qualities of each.

3. What is the most true about Chapter 4?
(a) All of the subjects are nude or undressing.
(b) There are no titles to the works.
(c) All of the images are oil paintings.
(d) There are no words used to describe the images.

4. According to Berger et al., how must a woman observe herself in order to see herself in the eyes of a man?
(a) She must give herself time to reflect on images which appeal to men.
(b) She must appreciate her use to a man.
(c) She must look at herself as though she is an object.
(d) She must see herself in a mirror.

5. Where is the spectator located when a work of art uses the single eye perspective?
(a) At the center, but could be at many places in a single time.
(b) At the center, in one place at one time.
(c) At an infitite number of times and locations.
(d) The spectator is never considered.