Travesties Test | Final Test - Hard

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This test consists of 5 short answer questions and 1 (of 3) essay topics.

Short Answer Questions

1. In this section, Lenin proclaims that no freedom can be achieved in a society based on what?

2. In this section, Cecily say that when the history of the revolution is written, what will not loom large in it?

3. What two countries are attempting to prevent Lenin's entry to Russia?

4. When Cecily finally lashes out at Carr, she says Marx warns the worker against all of the following groups but which?

5. When he finally explodes at Joyce, into what does Tzara say the writer has turned literature?

Essay Topics

Write an essay for ONE of the following topics:

Essay Topic 1

The central story of Travesties is a love story involving two couples, but it is driven in large part by the British desire to keep tabs on Lenin. Write an essay about Carr's mission to prevent Lenin's passage into Russia. How does he initially react to the assignment as related and elucidated by Bennett? Why does it bring him into contact with Cecily? In the end, why does Carr have such difficulty following through with his assignment?

Essay Topic 2

Lenin is more object than subject in Travesties. He is a commodity desired and detested severally through the play. Write an essay about his character. The first half of this essay should deal primarily with other characters' attitudes toward him. Why is he lionized by some and feared by others? How does his attempt to depart Switzerland force certain characters into awkward positions? The second half should deal with his personality and soul as described by Nadya. How does Lenin view the world, and how does this view lend itself to the embracing of Marxism?

Essay Topic 3

Stoppard's plays often involve large personalities with different world-views clashing regarding some major topic. In Travesties, the topic is revolution and art. Write an essay on three characters and how they represent different views of these subjects:

Part 1) Henry Carr represents the past, a Victorian ideal. How does he relate to the other characters int he play? How does his obsession with clothing and order represent a style that is going out of fashion?

Part 2) James Joyce is perhaps the most of-the-moment in 1917. To what extend has he reconciled his love for the classical with the acknowledgment that the world is shifting? How is Ulysses a physical representation of this?

Part 3) Tristan Tzara wants to throw away everything that has come before, reject the old forms. How is he the most abrasive of characters on the stage? In what ways are all other characters put off by him?

(see the answer keys)

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