Mid-Book Test - Hard
|Name: _____________________________||Period: ___________________________|
This quiz consists of 5 short answer questions, 10 short essay questions, and 1 (of 3) essay topics.
Short Answer Questions
1. Who addresses the trainees when called to formation in Act 1, Part 2?
2. What does Ardell say to Pavlo in regards to the person Pavlo sees in the mirror?
3. What is the second question to Pavlo from Ardell?
4. Upon finding Pavlo in the state he is in, what does Hinkle do upon returning to the game?
5. What is the general response of the trainees to Hinkle's discovery about Pavlo's being in bed for too long?
Short Essay Questions
1. In what ways are the playwright's use of the "collage effect" of creation especially poignant in this act?
2. Explore the ways in which Pavlo is made to feel helpless in this act. Theorize on the writer's purpose for creating these moments.
3. In the final scene, how does Wall live up to the metaphorical meaning of his name?
4. How does the scene in which Pavlo grabs the grenade display yet another ironic moment in his seemingly life-long struggle for identity? What character trait seems to remain intact to the very end of his life, possibly leading to his ultimate demise?
5. Tower mentions the North Star more than a few times throughout the play, and finally in Act 2, Part 4. Up until this point, what are the possible meanings of these references to the North Star?
6. How does Pavlo's answer Kress regarding stealing and how does this provide an insight into Pavlo's egocentric nature?
7. What can the audience understand about Pavlo's mentality in Act 2, Part 4 when Pavlo shouts back to Ardell after being wounded that they can "hurt him as many times as they want?"
8. How is this scene, as well as Ardell's character, a seminaly metaphoric catalyst, displaying Pavlo's transformations and inner desires?
9. Consider the graphic scenes presented in this part, and think about the word "mutilation." Employ this word to describe the deeper meanings of what is happening in these scenes. How are things, people, and ideas mutilated throughout this scene?
10. Pavlo believes that good soldiers are never helpless in any situation. How does this belief play out and dramatize itself in his experience with the Corporal and following scenes?
We see how both aspects to Pavlo's character, his innocence and his fear of helplessness, lead him to a re-definition of identity. Explain this is a thematically relevant aspect to his story using examples from the play.
Brisbey's passing reference to Christ, who is never mentioned by name, but whose identity and sacrifice are evoked by Brisbey's reference to God being "nailed" is the possibility that the idea of sacrifice arising from this reference can be applied to Pavlo's situation. Pavlo's situation can be seen as the sacrifice of individual identity in the name of a larger "God-given" purpose. How else might Brisbey's use of the word "nailed" be a possible implication by Rabe that the good man always gets the bad end of things? Would you say that this could be a foreshadowing device about the fate of our protagonist? Why or why not? Support your argument with examples from the text.
How are the play's three central elements - style, character, and theme - introduced vividly and succinctly in the opening scenes of this play? Conversely, what form of plot has Rabe employed, and what effect does it have on the audience? Use examples from the book to explain your thoughts, giving a clear outline of the chosen style of plot line.
This section contains 2,167 words
(approx. 8 pages at 300 words per page)