Mid-Book Test - Hard
|Name: _____________________________||Period: ___________________________|
This quiz consists of 5 short answer questions, 10 short essay questions, and 1 (of 3) essay topics.
Short Answer Questions
1. Who addresses the trainees when called to formation in Act 1, Part 2?
2. What does Ardell say to Pavlo in regards to the person Pavlo sees in the mirror?
3. What is the second question to Pavlo from Ardell?
4. Upon finding Pavlo in the state he is in, what does Hinkle do upon returning to the game?
5. What is the general response of the trainees to Hinkle's discovery about Pavlo's being in bed for too long?
Short Essay Questions
1. In what ways are the playwright's use of the "collage effect" of creation especially poignant in this act?
2. Explore the ways in which Pavlo is made to feel helpless in this act. Theorize on the writer's purpose for creating these moments.
3. In the final scene, how does Wall live up to the metaphorical meaning of his name?
4. How does the scene in which Pavlo grabs the grenade display yet another ironic moment in his seemingly life-long struggle for identity? What character trait seems to remain intact to the very end of his life, possibly leading to his ultimate demise?
5. Tower mentions the North Star more than a few times throughout the play, and finally in Act 2, Part 4. Up until this point, what are the possible meanings of these references to the North Star?
6. How does Pavlo's answer Kress regarding stealing and how does this provide an insight into Pavlo's egocentric nature?
7. What can the audience understand about Pavlo's mentality in Act 2, Part 4 when Pavlo shouts back to Ardell after being wounded that they can "hurt him as many times as they want?"
8. How is this scene, as well as Ardell's character, a seminaly metaphoric catalyst, displaying Pavlo's transformations and inner desires?
9. Consider the graphic scenes presented in this part, and think about the word "mutilation." Employ this word to describe the deeper meanings of what is happening in these scenes. How are things, people, and ideas mutilated throughout this scene?
10. Pavlo believes that good soldiers are never helpless in any situation. How does this belief play out and dramatize itself in his experience with the Corporal and following scenes?
As new characters are introduced, we begin to realize that many of their names may not have been arbitrarily assigned. That is to say that their names have metaphorical meaning in relation to the plot and setting itself. Write an essay exploring the possible meanings behind 3 or more characters' names in the play and how those names fit the characters' words and/or actions. Conclude by crediting these metaphors to a deeper understanding of Rabe's intention in naming these characters.
In Act 2, Part 3, Pavlo is again confronted with a vivid reminder of how destructive war is. The juxtaposition here, between his enthusiasm for killing and the violence he encounters, in terms of what happens to Parham and what happens to him dramatizes even more vividly the discrepancy between what he wants to see and the reality in front of him. In what ways does Pavlo deal with this discrepancy? Would you say it is healthy? Why or why not? Support your thoughts with examples.
As soon understood by the audience, scenes take place in different time frames, places, and even on different planes of existence; such as Pavlo being alive or Pavlo being dead. How is this narrative structure key to appreciating the play's style? Consider the phrase "the whole is more than the sum of its parts," and sum up your findings about the style of this play using this phrase to support your answer.
This section contains 2,189 words
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