M. Butterfly Test | Final Test - Hard

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This test consists of 5 short answer questions and 1 (of 3) essay topics.

Short Answer Questions

1. Finish the sentence: "We must conserve our strength for the battles..."

2. Why does Song believe women's roles in opera are played by men?

3. What does Gallimard say his job affects?

4. What does Gallimard start to call Song after their affair starts?

5. What is NOT one of things that Renee's father imports into the Third World?

Essay Topics

Write an essay for ONE of the following topics:

Essay Topic 1

When Song is on the witness stand, he describes his situation with Gallimard in great detail. One major point he has relates to the masculine/feminine characterization of the West and East and the "Rape mentality" the former has for the latter.

1. How does Song define "Rape mentality?"

2. How does this mindset relate to Song's opinion of international relations? How do those relations compare to Song's opinions of men and women from those countries?

3. How do all of these factors culminate in Song's relationship with Gallimard?

4. Do you agree with Song? Do you believe Gallimard's intentions reflect Songs opinion on their relationship?

Essay Topic 2

Write an essay on the climactic encounter between Gallimard and Song when he asks to see her naked for the first time.

1. When Gallimard leaves the reception where he had his encounter with Toulon, what is he feeling? What is the catalyst for his emotions?

2. What are the reasons Gallimard gives for wanting to strip Song? How does she react? Why?

3. How does Song talk Gallimard out of seeing her naked? What is at stake for her?

4. How is this moment pivotal in the life of the play and the relationship between Gallimard and Song? How do his feelings for her change?

Essay Topic 3

Write an essay on the theme of parenthood in the play.

1. Why does Helga want to have a baby? Why does she want Gallimard to see a doctor? Why is there conflict over this?

2. Does Gallimard want to be a father? Why or why not?

3. What are Song's motives for "mothering" Gallimard's child? How does introducing a baby change the stakes for Gallimard and Song?

(see the answer keys)

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