Marat / Sade Test | Final Test - Hard

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This test consists of 5 short answer questions and 1 (of 3) essay topics.

Short Answer Questions

1. Which of the following inmates is strait-jacketed throughout the entire play?

2. Which of the following is something that Sade claims the hypothetical Revolutionaries expect from the Revolution?

3. According to the Herald in Scene 19, what is the most sympathetic way to be executed?

4. In Scene 27, to whom does Marat accuse the generals of being loyal?

5. What are the fates of both Duperret and Corday after Marat's murder?

Essay Topics

Write an essay for ONE of the following topics:

Essay Topic 1

Focusing on the final scene of Act 1, The Faces of Marat, write an essay profiling the life and ambitions of Jean-Paul Marat. How do his past reflect the desires and passions of his Revolutionary period? Who does he consider his enemies? Who, his allies? Feel free to cite examples beyond the central scene to explain his later beliefs and doubts.

Essay Topic 2

In Weiss's play, sex and violence are intertwined in a way such that one cannot exist without the other. Write an essay on this inextricable link, focusing on these three points:

Part 1) How does Charlotte Corday represent the perfect balance of sexuality and destruction? How does her plan to murder Marat hinge on her sexual allure? How does her religious fervor play to both of these attributes?

Part 2) The Marquis de Sade was infamous for his linking of sex and violence in his writing. How does the Sade of Weiss's play explain this fascination? What is his attitude to either sex or violence individually?

Part 3) Focusing on Sade's speech to Marat before Corday's third visit, discuss both sex and violence as driving forces both in the play and the play-within-the play.

Essay Topic 3

The point-of-view of the play-within-the-play in The Marat/Sade is transitory in nature. Write an essay about the various points-of-view, focusing on the following three points:

Part 1) Most of the cast of Sade's play represent the poor of France, led in their songs by the four Singers. To what extent is the play told from the point-of-view of the common rabble? What is their position on the events of the play?

Part 2) How does the cadence and tone of the play-within-the-play change as Marat's mental state and health deteriorate? How is the play a chronicle of his final hours, his doubts, and his anger at the Establishment?

Part 3) To what extent is the play exclusively Sade's perspective on Marat's life and work? What is his position on the radical revolutionary, and how does he present this view in the play?

(see the answer keys)

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