Divine Comedy Test | Final Test - Hard

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This test consists of 1 (of 3) essay topics.

Essay Topics

Write an essay for ONE of the following topics:

Essay Topic 1

Write an essay about the time-line of The Inferno, which clearly spans three days and presumably begins on Good Friday, the anniversary Christ's death and descent to Hell. What do you think is Dante Alighieri's goal in coordinating his own harrowing of Hell with that of Jesus? What other references to Christ's descent to Hell are mentioned in the text? What occurs when Dante emerges from the pit, and how does this mirror Christ's emergence from his tomb?

Essay Topic 2

Most of the figures featured is Dante's poem are being punished in Hell for one sin or another. There are, however, groups that serve functions in Hell; one could almost call them employees of Hell. Write a poem in three parts about these figures of The Inferno:

Part 1) At what point does Dante encounter the Fallen Angels who fought on Satan's side in the Heavenly civil war? What is their job in Hell? How do they interact with Virgil and Dante in their passages of The Inferno? Discuss how Virgil deals with these officiates of the City of Dis.

Part 2) Only some of the circles of Hell actually have demons in them. Discuss which circles these are and what duties the demons must perform within them. What human characteristics do these monsters display? How does Alighieri portray them in the text? What is the cumulative effect of their passages of the poem?

Part 3) Who are the Giants and what is their function concerning the ninth circle of Hell? Discuss why they are imprisoned in Hell, and why only some of them are chained? What service does one of the Giants perform for the pilgrims in the poem?

Essay Topic 3

Dante's Inferno has a sly humor in the way punishments hold a poetic appropriateness to the sin they punish. In an essay, choose three circles of Hell from the text and discuss this poetic justice. What sin is punished in this circle, and how is it punished? Does this punishment involve a hyperbolic extremity of the sin, an intense converse state to the sin, or some poetic metaphor for it? How do the damned exist in this state of perpetual punishment?

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