Antony and Cleopatra Test | Final Test - Hard

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This test consists of 5 short answer questions and 1 (of 3) essay topics.

Short Answer Questions

1. Whose "case of that huge spirit now is cold" as said by Cleopatra?

2. For whom does Antony call at the end of Act 4's twelfth scene?

3. What do the soldiers resolve to do about the noise in Act 4, Scene 3?

4. What is the Greek name for "holy Phoebus" to whom Antony refers?

5. What decision does Antony lament to the solider who greets him in the fifth scene of the fourth act?

Essay Topics

Essay Topic 1

Throughout Antony and Cleopatra's stormy relationship in the play, it is shown that their love is always a hair's-breadth away from becoming hate, and vice-versa. In a well-developed analytical essay, examine the nature of Antony and Cleopatra's relationship insofar as it alternates from one extreme to another. What propels the characters to launch from one condition to another? How is hate assuaged and love incited? In what way are the two conditions similarly portrayed?

Essay Topic 2

The primary element to the vibrancy of any of Shakespeare's plays, particularly those that are historically based, is the richness of the characters' portrayal. As such, comprehending the roles of even the most minor characters can be crucial to appreciation of the play as a whole. In the case of Antony and Cleopatra, every character revolves around fidelity to some other, more powerful individual. Analyze in an insightful essay all of the characters who are fundamentally attached to Antony, excluding Enobarbus. What is common among the various characters attached to Antony? How does this reflect upon Antony himself? What sort of relationship is there between each character and Antony? Upon what is the relationship founded? Is there any sort of reciprocity present?

Essay Topic 3

Of all Cleopatra's many unique character traits, none is perhaps as efficacious on the action and plot of the story as her vanity. In a well-written essay, analyze the cataclysm that is caused by her vain pursuits. In what instances does she show her vanity? How does it affect characters and their actions? What sparks her vain tendencies? What is the evident moral consequence of indulging one's own vanity, as demonstrated by Cleopatra?

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