The Washington Post, February 17th, 1991
Some avant-garde artists stare you down; Robert Wilson enfolds you. His work is full of mysteries, but maybe the greatest one is how he can be so hermetic and yet so accessible. Wilson's densely symbolic staging is above all welcoming. His images invite associations, response, sidetracks. He's not a lecturer, he's not even a guide - he's a partner. He wants to whirl you out on the mental dance floor. He wants you to dream along. Probably the American director with the greatest international reputation, Wilson creates long, elaborately designed productions - of opera, of the classics, of his ow...
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