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THE POLITICS OF THE MACHINE.

About 6 pages (1,730 words)

Afterimage, November 1st, 1999

The author examine the abstract art of Bill Jones and Ben Neill. Topics include representations of political rhetoric, social content, and the combining of music and art.

Pulse 48

by Bill Jones and Ben Neill

Sandra Gering Gallery

New York, New York

July 8-September 11, 1999

Political intervention through abstract art is commonly expressed through the artwork's negation of political rhetoric and social hierarchies. By declaring its own autonomy, an abstract artwork can serve as a model for political freedom. Yet music can express social content through abstracted socio-political relations...

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