The Washington Post, July 10th, 1988
The debate about the colorization of "classic" American films is making me increasingly queasy. At first, when the Horror began to be whispered about, I was staunchly in the anti-colorization camp. Colorizing these fine old films could only be the work of buck-hungry vulgarians, one more example of American commerce going its rapacious way. This was an outrage, an abomination; or, at the very least, a discourtesy to a generation of decent cameramen, many of whom now lie in unvisited graves. Of course, many of those cameramen would probably have been happy to use color in the first place, had i...
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