BookRags.com Literature Guides Literature
Guides
Criticism & Essays Criticism &
Essays
Questions & Answers Questions &
Answers
Lesson Plans Lesson
Plans
My Bibliography Periodic Table U.S. Presidents Shakespeare Sonnet Shake-Up
Research Anything:        
History | Encyclopedias | Films | News | Create a Bibliography | More... Login | Register | Help


Search "New York City: Synge our contemporary.(John Millington Synge )"

Navigation

New York City: Synge our contemporary.(John Millington Synge )

About 1 pages (423 words)

American Theatre, July 1st, 2006

Have you ever wondered why the Irish theatre is littered with dead babies? You know, those children who die offstage somewhere in a distant corner of Ireland--unbaptized infants who are never seen or heard, but who leave their poor mothers grieving for the rest of the play's duration? It may have been the Irish dramatist John Millington Synge (1871-1909) who first patented the infant-death theme--old Maurya, the mother in his one-act Riders to the Sea, has lost six of them. "That makes her a hard act to follow," notes the novelist Anne Enright in Synge: A Celebration. "I only mention this be...

HighBeam Research, Free Preview: 'New York City: Synge our contemporary.(John Millington Synge )'... Full Membership required for unlimited access. Free 7-day trial.

Subscribers: HighBeam content is only available to HighBeam subscribers. Click the link above for more information.

Content Partner
Gener, Randy. American Theatre, July 1st, 2006. New York City: Synge our contemporary.(John Millington Synge ). Content provided by HighBeam Research.



Join BookRagslearn moreJoin BookRags


About BookRags | Customer Service | Report an Error | Terms of Use | Privacy Policy