Artforum, May 1st, 2006
BASEL
Gustav Metzger
KUNSTHALLE BASEL
Gustav Metzger has always worked against the an market, rather than for it. In 1959, he articulated his concept of autodestructive art in a manifesto-an adaptation of Theodor Adorno's argument that "writing poetry after Auschwitz is barbaric" to the field of visual art in the era of nuclear weapons. By 1974, his radical approach led to the call for an "art strike." Though he initiated and participated in many groundbreaking events, like the Destruction in Art Symposium (DIAS) in London in 1966, it took decades for Metzger's art to find its way into muse...
HighBeam Research, Free Preview: 'Gustav Metzger'... Full Membership required for unlimited access. Free 7-day trial.
Subscribers: HighBeam content is only available to HighBeam subscribers. Click the link above for more information.
