Cineaste, June 22nd, 1993
The BFI Film Classics series invites monograph-sized essays from an idiosyncratic group of contributors (Laura Mulvey, Salman Rushdie, Richard Schickel, etc.) and turns them loose on the title of their choice from the BFI's notorious canon of 360 "Key Films." At its best, this can produce some intriguing results, with a group of talented writers taking the opportunity to ruminate at length about anything from 42nd Street to Rocco and His Brothers. They may not be definitive, but they do make for interesting reading. In his volume, Jonathan Rosenbaum has essentially resurrected and reworked an...
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