Artforum, March 1st, 2004
GIULIO PAOLINI
FONDAZlONE PRADA
A small white canvas is barely defined by the diagonals and compass points that demarcate its space, like a sheet of paper prepared for a simple technical drawing for school: Giulio Paolini's Disegno geometrim (Geometrical Drawing), 1960, marks the beginning of one of the most fruitful artistic and conceptual adventures in the recent history of art, in Italy and internationally. At the Fondazione Prada, this most conceptual of the arte povera artists-together with his "fellow traveler," the curator Germane Celant-presented, along with Disegno geometrico, an ex...
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