Star Tribune (Minneapolis, MN), June 22nd, 2007
Byline: Colin Covert; Staff Writer Woody Allen's finest achievements as a screenwriter and director, they were a huge leap beyond the funny but facile nonsense of "Sleeper" or "Love and Death," and a far cry from his creative constipation in recent years. Each involves a bittersweet romance between characters played by Allen (pictured with Jonathan Munk as his young alter ego) and Diane Keaton. "Annie Hall" (1977, 4 out of four stars) opens with Allen addressing the audience directly and, having broken the fourth wall, boldly experimenting with styles, structures and story lines as he reflect...
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