The Nation, January 7th, 2002
NORMAN ROCKWELL When the archforger Hans van Meegeren undertook to hoodwink the experts by painting what they accepted as a theretofore unknown Vermeer, his motives were more devious than those of the ordinary counterfeiter. For he believed himself to be an underappreciated painter and Vermeer's equal. The moment his Christ at Emmaus was purchased by the state on the authority of the leading Vermeer specialists, van Meegeren meant to reveal that it was he who had painted this masterpiece. And since the experts believed the painting was by Vermeer, they were obliged in consistency to acknowled...
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