The Boston Globe, January 11th, 1998
You'd know the languid, chiseled, resonant drawl with your eyes closed. It belongs to Alan Rickman, who has managed the difficult feat of remaining a respected British stage presence while launching a Hollywood career based on playing indolently sexy villains who seem amused by evil-doing. Perhaps because he holds strong socialist convictions, and to this day feels a conflict between Hollywood's high-priced glitz and his egalitarian principles, he has not exactly been extroversion incarnate when talking about himself. Maybe the reason Rickman is relaxed on a recent cold afternoon is that there...
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