The Independent - London, December 6th, 1995
Back in February, Andrew Eaton took a big gamble and quit his staff job as a BBC drama producer, with no more solid guarantees for his professional future than a commission for a one-off Screen Two drama, Go Now, a working friendship with its slated director, Michael Winterbottom, and a long-standing ambition to produce movies - one movie in particular. The gamble paid off on a bigger scale than anyone, least of all Eaton, could have expected.
Nine months later, Eaton and Winterbottom are standing in the murky dawn light on Edinburgh's Royal Mile - closed to traffic for the first time, it see...
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