Both John Donne's "The Funeral" and "Holy Sonnet 3" are undeniably similar in their discussions of death and afterlife, with death referred to more as a beginning to a new life than an ending, particularly for the soul. Each poem reflects the soul being released from the body as a way of cleansing the spirit, while allowing the mind to rid itself of things that might have troubled the speaker while alive.
John Donne's poem "The Broken Heart" reveals the speaker's experiences with love and the increasingly negative attitude about love that the speaker possesses as a result. Donne's sophisticated appliances of language, imagery, and form gives the reader a clear and comprehensible grasp of the speaker's stalwart opinions on the subject of love.
John Donne portrays his reverence for God through poetry element such as caesurae, alliteration, assonance, substitution, and a loosely followed rhyme scheme.
John Donne's "Holy Sonnet XIV" conveys a clear message of divine trust and love despite everpresent weakness. Donne's use of thoughtful paradoxes, such as creation and destruction, peace and violence, and the righteous with the unholy, contrast the speaker's innately sinful tendencies with God's divine characteristics and reveal the speaker's desire for spirituality.
Describes how the feeling of uncertainty is depicted in much of John Donne's poetry. Describes how John Donne's poems discussing women and religion are among the most noticeable examples of the deliberate use of ambiguity in seventeenth-century poetry.
John Donne employs the literary technique of metaphoric conceit in many of his writings. This technique involves comparing two things that are very much unlike each other. An example can be found in "A Valediction Forbidding Mourning."
There are many literary devices at the disposal of writers that are used to emphasize ideas. In his sonnet "Death, be not proud", John Donne chooses to use personification. He personifies death in order to emphasize the idea that Christians have victory over death, and the promise of eternal life, where death is no more.