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Max Brand

They drank, and for the first time in his life, the liquid fire went down the throat of Pierre.  He set down his glass, coughing, and the others laughed good-naturedly.

“Started down the wrong way?” asked Wilbur.

“It’s beastly stuff; first I ever drank.”

A roar of laughter answered him.

“Still I got an idea,” broke in Jim Boone, “that he’s worthy of takin’ the seventh chair.  Draw it up lad.”

Vaguely it reminded Pierre of a scene in some old play with himself in the role of the hero signing away his soul to the devil, but an interruption kept him from taking the chair.  There was a racket at the door—­a half-sobbing, half-scolding voice, and the laughter of a man; then Bud Mansie appeared carrying Jack in spite of her struggles.  He placed her on the floor and held her hands to protect himself from her fury.

“I glimpsed her through the window,” he explained.  “She was lining out for the stable and then a minute later I saw her swing a saddle onto—­what horse d’you think?”

“Out with it.”

“Jim’s big Thunder.  Yep, she stuck the saddle on big black Thunder and had a rifle in the holster.  I saw there was hell brewing somewhere, so I went out and nabbed her.”

“Jack!” called Jim Boone.  “What were you started for?”

Bud Mansie released her arms and she stood with them stiffening at her sides and her fists clenched.

“Hal—­he died, and there was nothing but talk about him—­nothing done.  You got a live man in Hal’s place.”

She pointed an accusing finger at Pierre.

“Maybe he takes his place for you, but he’s not my brother—­I hate him.  I went out to get another man to make up for Pierre.”

“Well?”

“A dead man.  I shoot straight enough for that.”

A very solemn silence spread through the room; for every man was watching in the eyes of the father and daughter the same shining black devil of wrath.

“Jack, get into your room and don’t move out of it till I tell you to.  D’you hear?”

She turned on her heel like a soldier and marched from the room.

“Jack.”

She stopped in the door but would not turn back.  “Jack, don’t you love your old dad anymore?” She whirled and ran to him with outstretched arms and clung to him, sobbing.  “Oh, dad,” she groaned.  “You’ve broken my heart.”

CHAPTER 12

The annals of the mountain-desert have never been written and can never be written.  They are merely a vast mass of fact and tradition and imagining which floats from tongue to tongue from the Rockies to the Sierra Nevadas.  A man may be a fact all his life and die only a local celebrity.  Then again, he may strike sparks from that imagination which runs riot by camp-fires and at the bars of the crossroads saloons.

In that case he becomes immortal.  It is not that lies are told about him or impossible feats ascribed to him, but every detail about him is seized upon and passed on with a most scrupulous and loving care.

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Riders of the Silences from Project Gutenberg. Public domain.

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