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The Beautiful and Damned eBook

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F. Scott (Francis Scott) Fitzgerald

It was only recently that she perceived that in spite of her adoration of him, her jealousy, her servitude, her pride, she fundamentally despised him—­and her contempt blended indistinguishably with her other emotions....  All this was her love—­the vital and feminine illusion that had directed itself toward him one April night, many months before.

On Anthony’s part she was, in spite of these qualifications, his sole preoccupation.  Had he lost her he would have been a broken man, wretchedly and sentimentally absorbed in her memory for the remainder of life.  He seldom took pleasure in an entire day spent alone with her—­except on occasions he preferred to have a third person with them.  There were times when he felt that if he were not left absolutely alone he would go mad—­there were a few times when he definitely hated her.  In his cups he was capable of short attractions toward other women, the hitherto-suppressed outcroppings of an experimental temperament.

That spring, that summer, they had speculated upon future happiness—­how they were to travel from summer land to summer land, returning eventually to a gorgeous estate and possible idyllic children, then entering diplomacy or politics, to accomplish, for a while, beautiful and important things, until finally as a white-haired (beautifully, silkily, white-haired) couple they were to loll about in serene glory, worshipped by the bourgeoisie of the land....  These times were to begin “when we get our money”; it was on such dreams rather than on any satisfaction with their increasingly irregular, increasingly dissipated life that their hope rested.  On gray mornings when the jests of the night before had shrunk to ribaldries without wit or dignity, they could, after a fashion, bring out this batch of common hopes and count them over, then smile at each other and repeat, by way of clinching the matter, the terse yet sincere Nietzscheanism of Gloria’s defiant “I don’t care!”

Things had been slipping perceptibly.  There was the money question, increasingly annoying, increasingly ominous; there was the realization that liquor had become a practical necessity to their amusement—­not an uncommon phenomenon in the British aristocracy of a hundred years ago, but a somewhat alarming one in a civilization steadily becoming more temperate and more circumspect.  Moreover, both of them seemed vaguely weaker in fibre, not so much in what they did as in their subtle reactions to the civilization about them.  In Gloria had been born something that she had hitherto never needed—­the skeleton, incomplete but nevertheless unmistakable, of her ancient abhorrence, a conscience.  This admission to herself was coincidental with the slow decline of her physical courage.

Then, on the August morning after Adam Patch’s unexpected call, they awoke, nauseated and tired, dispirited with life, capable only of one pervasive emotion—­fear.

PANIC

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The Beautiful and Damned from Project Gutenberg. Public domain.

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