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The Beautiful and Damned eBook

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F. Scott (Francis Scott) Fitzgerald

“See here, Gloria, I’m with you whatever you do, but for God’s sake be a sport about it.”

“Oh, don’t fuss at me!” she wailed.

They exchanged a mute look of no particular significance but of much stress.  Then Anthony took a book from the shelf and dropped into a chair.

Half an hour later her voice came out of the intense stillness that pervaded the room and hung like incense on the air.

“I’ll drive over and see Constance Merriam to-morrow.”

“All right.  And I’ll go to Tarrytown and see Grampa.”

“—­You see,” she added, “it isn’t that I’m afraid—­of this or anything else.  I’m being true to me, you know.”

“I know,” he agreed.

THE PRACTICAL MEN

Adam Patch, in a pious rage against the Germans, subsisted on the war news.  Pin maps plastered his walls; atlases were piled deep on tables convenient to his hand together with “Photographic Histories of the World War,” official Explain-alls, and the “Personal Impressions” of war correspondents and of Privates X, Y, and Z. Several times during Anthony’s visit his grandfather’s secretary, Edward Shuttleworth, the one-time “Accomplished Gin-physician” of “Pat’s Place” in Hoboken, now shod with righteous indignation, would appear with an extra.  The old man attacked each paper with untiring fury, tearing out those columns which appeared to him of sufficient pregnancy for preservation and thrusting them into one of his already bulging files.

“Well, what have you been doing?” he asked Anthony blandly.  “Nothing?  Well, I thought so.  I’ve been intending to drive over and see you, all summer.”

“I’ve been writing.  Don’t you remember the essay I sent you—­the one I sold to The Florentine last winter?”

“Essay?  You never sent me any essay.”

“Oh, yes, I did.  We talked about it.”

Adam Patch shook his head mildly.

“Oh, no.  You never sent me any essay.  You may have thought you sent it but it never reached me.”

“Why, you read it, Grampa,” insisted Anthony, somewhat exasperated, “you read it and disagreed with it.”

The old man suddenly remembered, but this was made apparent only by a partial falling open of his mouth, displaying rows of gray gums.  Eying Anthony with a green and ancient stare he hesitated between confessing his error and covering it up.

“So you’re writing,” he said quickly.  “Well, why don’t you go over and write about these Germans?  Write something real, something about what’s going on, something people can read.”

“Anybody can’t be a war correspondent,” objected Anthony.  “You have to have some newspaper willing to buy your stuff.  And I can’t spare the money to go over as a free-lance.”

“I’ll send you over,” suggested his grandfather surprisingly.  “I’ll get you over as an authorized correspondent of any newspaper you pick out.”

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The Beautiful and Damned from Project Gutenberg. Public domain.

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