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Booth Tarkington

absent companion even more amusing than she would let him see when he returned:  there was jovial intrigue of some sort afoot, evidently.  Her eyes, beaming with secret fun, were averted from intruders, but sometimes, when couples approached, seeking possession of the nook, her thoughts about the absentee appeared to threaten her with outright laughter; and though one or two girls looked at her skeptically, as they turned away, their escorts felt no such doubts, and merely wondered what importantly funny affair Alice Adams was engaged in.  She had learned to do it perfectly.

She had learned it during the last two years; she was twenty when for the first time she had the shock of finding herself without an applicant for one of her dances.  When she was sixteen “all the nice boys in town,” as her mother said, crowded the Adamses’ small veranda and steps, or sat near by, cross-legged on the lawn, on summer evenings; and at eighteen she had replaced the boys with “the older men.”  By this time most of “the other girls,” her contemporaries, were away at school or college, and when they came home to stay, they “came out”—­that feeble revival of an ancient custom offering the maiden to the ceremonial inspection of the tribe.  Alice neither went away nor “came out,” and, in contrast with those who did, she may have seemed to lack freshness of lustre—­jewels are richest when revealed all new in a white velvet box.  And Alice may have been too eager to secure new retainers, too kind in her efforts to keep the old ones.  She had been a belle too soon.

CHAPTER VIII

The device of the absentee partner has the defect that it cannot be employed for longer than ten or fifteen minutes at a time, and it may not be repeated more than twice in one evening:  a single repetition, indeed, is weak, and may prove a betrayal.  Alice knew that her present performance could be effective during only this interval between dances; and though her eyes were guarded, she anxiously counted over the partnerless young men who lounged together in the doorways within her view.  Every one of them ought to have asked her for dances, she thought, and although she might have been put to it to give a reason why any of them “ought,” her heart was hot with resentment against them.

For a girl who has been a belle, it is harder to live through these bad times than it is for one who has never known anything better.  Like a figure of painted and brightly varnished wood, Ella Dowling sat against the wall through dance after dance with glassy imperturbability; it was easier to be wooden, Alice thought, if you had your mother with you, as Ella had.  You were left with at least the shred of a pretense that you came to sit with your mother as a spectator, and not to offer yourself to be danced with by men who looked you over and rejected you—­not for the first time.  “Not for the first time”:  there lay a sting!  Why had you thought this time might be different from the other times?  Why had you broken your back picking those hundreds of violets?

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Alice Adams from Project Gutenberg. Public domain.



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