The Last of the Mohicans; A narrative of 1757 eBook
James Fenimore Cooper
A single look was sufficient to apprise the pretended
leech that the invalid was far beyond his powers of
healing. She lay in a sort of paralysis, indifferent
to the objects which crowded before her sight, and
happily unconscious of suffering. Heyward was
far from regretting that his mummeries were to be
performed on one who was much too ill to take an interest
in their failure or success. The slight qualm
of conscience which had been excited by the intended
deception was instantly appeased, and he began to
collect his thoughts, in order to enact his part with
suitable spirit, when he found he was about to be
anticipated in his skill by an attempt to prove the
power of music.
Gamut, who had stood prepared to pour forth his spirit
in song when the visitors entered, after delaying
a moment, drew a strain from his pipe, and commenced
a hymn that might have worked a miracle, had faith
in its efficacy been of much avail. He was allowed
to proceed to the close, the Indians respecting his
imaginary infirmity, and Duncan too glad of the delay
to hazard the slightest interruption. As the dying
cadence of his strains was falling on the ears of
the latter, he started aside at hearing them repeated
behind him, in a voice half human and half sepulchral.
Looking around, he beheld the shaggy monster seated
on end in a shadow of the cavern, where, while his
restless body swung in the uneasy manner of the animal,
it repeated, in a sort of low growl, sounds, if not
words, which bore some slight resemblance to the melody
of the singer.
The effect of so strange an echo on David may better
be imagined than described. His eyes opened as
if he doubted their truth; and his voice became instantly
mute in excess of wonder. A deep-laid scheme,
of communicating some important intelligence to Heyward,
was driven from his recollection by an emotion which
very nearly resembled fear, but which he was fain
to believe was admiration. Under its influence,
he exclaimed aloud: “She expects you, and
is at hand”; and precipitately left the cavern.
CHAPTER 25
“Snug.—Have
you the lion’s part written? Pray you, if
it
be, give it to me, for
I am slow of study.
Quince.—You
may do it extempore, for it is nothing but
roaring.”
—Midsummer
Night’s Dream.
There was a strange blending of the ridiculous with
that which was solemn in this scene. The beast
still continued its rolling, and apparently untiring
movements, though its ludicrous attempt to imitate
the melody of David ceased the instant the latter abandoned
the field. The words of Gamut were, as has been
seen, in his native tongue; and to Duncan they seem
pregnant with some hidden meaning, though nothing
present assisted him in discovering the object of their
allusion. A speedy end was, however, put to every
conjecture on the subject, by the manner of the chief,
who advanced to the bedside of the invalid, and beckoned
away the whole group of female attendants that had
clustered there to witness the skill of the stranger.
He was implicitly, though reluctantly, obeyed; and
when the low echo which rang along the hollow, natural
gallery, from the distant closing door, had ceased,
pointing toward his insensible daughter, he said: