For the rest of the concert, the music had sunk to
a soft delight, and took the second place; the delight
of seeing dulled his delight in hearing. All
the rainbow claspings and weavings of strange accords,
all the wing-wafts of out-dreaming melody, seemed
to him to come flickering and floating from one creative
centre—the face, and specially the eyes
of Barbara; yet the music and Barbara seemed one.
The form of it that entered by his eyes met that which
entered by his ears, and they were one ere he noted
a difference. Barbara was the music, and the music
was Barbara. He saw her with his ears; he heard
her with his eyes. But as the last sonata sank
to its death, suddenly the face and the tones parted
company, and he knew that his eyes and her face must
part next, and the same moment her face was already
far away. She had left him; she was looking for
her fan, and preparing to go.
He was not far from the door. He hurried softly
out, plunged into the open air as into a great cool
river, went round the house, and took his stand at
one of the doors, where he waited like one watching
the flow of a river of gravel for the shine of a diamond.
But the flow sank to threads and drops, and the diamond
never shone.
He walked home, nevertheless, as if he had seen an
end of sorrow: how much had been given him that
night, for ever to have and to hold! Such an
hour went far to redeem the hateful thing, life!
A much worse world would be more than endurable, with
its black and gray once or twice in a century crossed
by such a band of gold! Who would not plunge through
ages of vapour for one flash of such a star!
Who would not dig to the centre for one glimpse of
a gem of such exhaustless fire! “But, alas,
how many for whom no golden threads are woven into
the web of life!” he said to himself as he thought
of Alice and Arthur—but straightway answered
himself, saying, “Who dares assert it? The
secret of a man’s life is with himself; who
can speak for another!” He had himself been miserable,
and was now content—oh, how much more than
content—that he had been miserable!
He was even strong to be miserable again! What
might not fall to the lot of the rest, every one of
them, ere God, if there were a God, had done with
them! Who invented music? Some one must have
made the delight of it possible! With his own
share in its joy he had had nothing to do! Was
Chance its grand inventor, its great ingenieur?
Why or how should Chance love loveliness that was
not, and make it be, that others might love it?
Could it be a deaf God, or a being that did not care
and would not listen, that invented music? No;
music did not come of itself, neither could the source
of it be devoid of music!
CHAPTER XLV.
THE CARRIAGE.
Before the next Monday, he had learned the outlets
of the hall, and the relations of its divisions to
its doors. But he fared no better, for whether
again he mistook the door or not, he did not see Barbara
come out. He had been with her, however, through
all the concert; there was reason to hope she would
be often present, and every time there would be a
chance of his getting near her! The following
Monday, nevertheless, she was not in the house:
had she been, he said to himself, his eyes would of
themselves have found her.
Copyrights
There & Back from Project Gutenberg. Public domain.