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George MacDonald

Alice stopped in the middle of her supper, laid down her knife and fork, and burst out crying.

“What is the matter?” said Richard, alarmed.

“I can’t bear to think of that money!  I must go and look for it!” sobbed Alice.

Richard laughed, the first time for days.

“Alice,” he said, “the money was well spent:  I got my own way with it!”

As she ate and drank, a little colour rose in her face, and on Richard fell a shadow of the joy of his creator, beholding his work, and seeing it good.

CHAPTER XLIV.

A DOOR OPENED IN HEAVEN.

Some men hunt their fellows to prey upon them, and fill their own greedy maws; Richard hunted and caught his brother and sister that he might feed them with the labour of his hands.  I fear there was therefore a little more for the mother to guzzle, but it is of small consequence whether those that go down the hill arrive at the foot a week sooner or later.  To Arthur and Alice, their new-found brother, strong and loving, was as an angel from high heaven.  It was no fault in Richard that he did not find a correspondent comfort in them.  It did in truth comfort him to see them improve in looks and in strength; but they had not many thoughts to share with him—­had little coin for spiritual commerce.  Even their religion, like that of most who claim any, had little shape or colour.  What there was of it was genuine, which made it infinitely precious, but it was much too weak to pass over to the help of another.  Divine aid, however, of a different sort, was waiting for him.

Hitherto he had heard little or no music.  The little was from the church-organ, and his not unjustifiable prejudice against its surroundings, had disinclined him to listen when it spoke.  The intellect of the youth had come to the front, and the higher powers to which art is ministrant, had remained much undeveloped, shut in darkened palace-rooms, where a ray of genial impulse not often entered.  For the highest of those powers, the imagination, without which no discovery of any grandeur is made even in the realms of science, dwells in the halls of aspiration, outlook, desire, and hope, and round the windows and filling the air of these, hung the dry dust-cloud of Richard’s negation.  But when Love, with her attendant Sorrow, came, they opened wide all the doors and windows of them to what might enter.  Hitherto all his poetry, even what he produced, had come to Richard at second-hand, that is, from the inspiration of books; its flowers were of the moon, not of the sun; they sprang under the pale reflex light of other souls:  for genuine life of any and every sort, the immediate inspiration of the Almighty is the one essential, and for that, Sorrow and Love now made a way.

First of all, the lower winds and sidelong rays of art, all from the father of lights, crept in, able now to work for his perfect will.  For when a man has once begun to live, then have the thoughts and feelings of other men, and every art in which those thoughts or feelings are embodied by them, a sevenfold power for the strengthening and rousing of the divine nature in him.  And as the divine nature is roused, the diviner nature, the immediate God, enters to possess it.

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There & Back from Project Gutenberg. Public domain.

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