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Earthwork out of Tuscany eBook

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Maurice Hewlett

“There is no one,” said Sandro simply.

“I will be your Lady Venus,” she went on breathlessly.  “You shall paint me, rising from the sea-foam....  The Genoese love the sea.”  She was still eager and defiant; her bosom rose and fell unchecked.

“The Signorina is mocking me; it is impossible; the Signorina knows it.”

“Eh, Madonna! is it so shameful to be fair—­Star of the Sea as your poets sing at evening?  Do you mean that I dare not do it?  Listen then, Signer Pittore; to-morrow morning at mass-time you will come to the Villa Vespucci with your brushes and pans and you will ask for Monna Simonetta.  Then you will see.  Leave it now; it is settled.”  And she walked away with her head high and the same superb smile on her red lips.  Mockery!  She was in dead earnest; all her child’s feelings were in hot revolt.  These women who had whispered to each other, sniggered at her dress, her white neck and her free carriage; Giuliano who had presumed so upon her candour—­ these prying, censorious Florentines—–­she would strike them dumb with her amazing loveliness.  They sang her a goddess that she might be flattered and suffer their company:  she would show herself a goddess indeed—­the star of her shining Genoa, where men were brave and silent and maidens frank like the sea.  Yes, and then she would withdraw herself suddenly and leave them forlorn and dismayed.

As for Sandro, he stood where she had left him, peering after her with a mist in his eyes.  He seemed to be looking over the hill-side, over the city glowing afar off gold and purple in the hot air, to Mont’ Oliveto and the heights, where a line of black cypresses stood about a low white building.  At one angle of the building was a little turret with a belvedere of round arches.  The tallest cypress just topped the windows, There his eyes seemed to rest.

II

At mass-time Sandro, folded in his shabby green cloak, stepped into the sun on the Ponte Vecchio.  The morning mists were rolling back under the heat; you began to see the yellow line of houses stretching along the turbid river on the far side, and frowning down upon it with blank, mud-stained faces.  Above, through streaming air, the sky showed faintly blue, and a campanile to the right loomed pale and uncertain like a ghost.  The sound of innumerable bells floated over the still city.  Hardly a soul was abroad; here and there a couple of dusty peasants were trudging in with baskets of eggs and jars of milk and oil; a boat passed down to the fishing, and the oar knocked sleepily in the rowlock as she cleared the bridge.  And above, on the heights of Mont’ Oliveto, the tapering forms of cypresses were faintly outlined—­straight bars of shadow—­and the level ridge of a roof ran lightly back into the soft shroud.

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Earthwork out of Tuscany from Project Gutenberg. Public domain.

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