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Robert M. Yerkes

CHAPTER VII

THE SENSE OF SIGHT:  BRIGHTNESS VISION

The sense of sight in the dancer has received little attention hitherto.  In the literature there are a few casual statements to the effect that it is of importance.  Zoth, for example (31 p. 149), remarks that it seems to be keenly developed; and other writers, on the basis of their observation of the animal’s behavior, hazard similar statements.  The descriptions of the behavior of blinded mice, as given by Cyon, Alexander and Kreidl, and Kishi (p.47), apparently indicate that the sense is of some value; they do not, however, furnish definite information concerning its nature and its role in the daily life of the animal.

The experimental study of this subject which is now to be described was undertaken, after careful and long-continued observation of the general behavior of the dancer, in order that our knowledge of the nature and value of the sense of sight in this representative of the Mammalia might be increased in scope and definiteness.  The results of this study naturally fall into three groups:  (1) those which concern brightness vision, (2) those which concern color vision, and (3) those which indicate the role of sight in the life of the dancer.

Too frequently investigators, in their work on vision in animals, have assumed that brightness vision and color vision are inseparable; or, if not making this assumption, they have failed to realize that the same wave-length probably has markedly different effects upon the retinal elements of the eyes of unlike organisms.  In a study of the sense of sight it is extremely important to discover whether difference in the quality, as well as in the intensity, of a visual stimulus influences the organism; in other words, whether color sensitiveness, as well as brightness sensitiveness, is present.  If the dancer perceives only brightness or luminosity, and not color, it is evident that its visual world is strikingly different from that of the normal human being.  The experiments now to be described were planned to show what the facts really are.

[Illustration:  Figure 14.—­Discrimination box. W, electric-box with white cardboards; B, electric-box with black cardboards.  Drawn by Mr. C.H.  Toll.]

As a means of testing the ability of the dancer to distinguish differences in brightness, the experiment box represented by Figures 14 and 15 was devised.  Figure 14 is the box as seen from the position of the experimenter during the tests.  Figure 15 is its ground plan.  This box, which was made of wood, was 98 cm. long, 38 cm. wide, and 17 cm. deep, as measured on the outside.  The plan of construction and its significance in connection with these experiments on vision will be clear from the following account of the experimental procedure.  A mouse whose brightness vision was to be tested was placed in the nest-box, A (Figure 15).  Thence by pushing open the swinging

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The Dancing Mouse from Project Gutenberg. Public domain.

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