But at night I would wander away, away,
I would fling on each side my low-flowing
locks,
And lightly vault from the throne and
play
With the mermen in and out of the rocks;
We would run to and fro, and hide and
seek,
On the broad sea-wolds in the [1] crimson
shells,
Whose silvery spikes are nighest the sea.
But if any came near I would call, and
shriek,
And adown the steep like a wave I would
leap
From the diamond-ledges that jut from
the dells;
For I would not be kiss’d [2] by
all who would list,
Of the bold merry mermen under the sea;
They would sue me, and woo me, and flatter
me,
In the purple twilights under the sea;
But the king of them all would carry me,
Woo me, and win me, and marry me,
In the branching jaspers under the sea;
Then all the dry pied things that be
In the hueless mosses under the sea
Would curl round my silver feet silently,
All looking up for the love of me.
And if I should carol aloud, from aloft
All things that are forked, and horned,
and soft
Would lean out from the hollow sphere
of the sea,
All looking down for the love of me.
[Footnote 1: Till 1857. The.]
[Footnote 2: Till 1857. The.]
[Footnote 3: 1830. ’I the. So
till 1853.]
[Footnote 4: 1830 Kist.]
SONNET TO J. M. K.
First printed in 1830, not in 1833.
This sonnet was addressed to John Mitchell Kemble,
the well-known Editor of the ‘Beowulf’
and other Anglo-Saxon poems. He intended to go
into the Church, but was never ordained, and devoted
his life to early English studies. See memoir
of him in ‘Dict, of Nat. Biography’.
My hope and heart is with thee—thou
wilt be
A latter Luther, and a soldier-priest
To scare church-harpies from the master’s
feast;
Our dusted velvets have much need of thee:
Thou art no Sabbath-drawler of old saws,
Distill’d from some worm-canker’d
homily;
But spurr’d at heart with fieriest
energy
To embattail and to wall about thy cause
With iron-worded proof, hating to hark
The humming of the drowsy pulpit-drone
Half God’s good sabbath, while the
worn-out clerk
Brow-beats his desk below. Thou from
a throne
Mounted in heaven wilt shoot into the
dark
Arrows of lightnings. I will stand
and mark.
THE LADY OF SHALOTT
First published in 1833.
This poem was composed in its first form as early
as May, 1832 or 1833, as we learn from Fitzgerald’s
note—of the exact year he was not certain
(’Life of Tennyson’, i., 147). The
evolution of the poem is an interesting study.
How greatly it was altered in the second edition of
1842 will be evident from the collation which follows.
The text of 1842 became the permanent text, and in
Copyrights
The Early Poems of Alfred Lord Tennyson from Project Gutenberg. Public domain.