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The Early Poems of Alfred Lord Tennyson eBook
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| Start of eBook | 1 |
| PREFACE | 1 |
| INTRODUCTION | 2 |
| I | 2 |
| INTRODUCTION | 3 |
| So in ‘Will Waterproof’ the cumbrous | 6 |
| But what vividness is there in the subsequent insertion of | 6 |
| II | 7 |
| III | 10 |
| Paronomasia as in | 13 |
| Oxymoron as | 13 |
| Hyperbaton as in | 13 |
| Metonymy as in | 13 |
| Or | 16 |
| “The brute earth,” ‘In Memoriam’, cxxvii., which is Horace’s | 18 |
| So again the fine simile in ‘Elaine’, beginning | 19 |
| IV | 22 |
| TABLE OF CONTENTS | 24 |
| PREFACE | 24 |
| INTRODUCTION | 24 |
| APPENDIX.—SUPPRESSED POEMS:— | 25 |
| TO THE QUEEN | 26 |
| CLARIBEL | 27 |
| LILIAN | 27 |
| ISABEL | 28 |
| MARIANA | 29 |
| TO—— | 30 |
| MADELINE | 31 |
| SONG.—THE OWL | 32 |
| SECOND SONG | 32 |
| RECOLLECTIONS OF THE ARABIAN NIGHTS | 32 |
| ODE TO MEMORY | 35 |
| SONG | 37 |
| ADELINE | 37 |
| A CHARACTER | 38 |
| THE POET | 39 |
| THE POET’S MIND | 40 |
| THE SEA-FAIRIES | 41 |
| THE DESERTED HOUSE | 42 |
| THE DYING SWAN | 43 |
| A DIRGE | 44 |
| LOVE AND DEATH | 45 |
| THE BALLAD OF ORIANA | 45 |
| CIRCUMSTANCE | 46 |
| THE MERMAN | 46 |
| THE MERMAID | 47 |
| SONNET TO J. M. K. | 48 |
| THE LADY OF SHALOTT | 48 |
| PART I | 49 |
| PART II | 49 |
| PART III | 50 |
| PART IV | 50 |
| MARIANA IN THE SOUTH | 53 |
| ELEAeNORE | 55 |
| THE MILLER’S DAUGHTER | 58 |
| FATIMA | 65 |
| ’NONE | 66 |
| THE SISTERS | 76 |
| WITH THE FOLLOWING POEM | 77 |
| THE PALACE OF ART | 77 |
| LADY CLARA VERE DE VERE | 88 |
| THE MAY QUEEN | 89 |
| NEW-YEAR’S EVE | 90 |
| CONCLUSION | 92 |
| THE LOTOS-EATERS | 93 |
| A DREAM OF FAIR WOMEN | 98 |
| MARGARET | 105 |
| THE BLACKBIRD. | 107 |
| THE DEATH OF THE OLD YEAR | 107 |
| TO J. S. | 108 |
| THE GOOSE | 113 |
| THE EPIC | 114 |
| MORTE D’ARTHUR | 115 |
| THE GARDENER’S DAUGHTER; OR, THE PICTURES | 122 |
| DORA | 128 |
| AUDLEY COURT | 131 |
| WALKING TO THE MAIL | 133 |
| THE EARLY POEMS OF | 136 |
| OR, THE LAKE | 136 |
| ST. SIMEON STYLITES | 139 |
| THE TALKING OAK | 144 |
| LOVE AND DUTY | 148 |
| THE GOLDEN YEAR | 150 |
| ULYSSES | 152 |
| LOCKSLEY HALL | 155 |
| GODIVA | 162 |
| THE TWO VOICES | 163 |
| THE DAY-DREAM | 172 |
| PROLOGUE | 172 |
| EPILOGUE | 177 |
| ST. AGNES | 179 |
| SIR GALAHAD | 180 |
| EDWARD GRAY | 181 |
| WILL WATERPROOF’S LYRICAL MONOLOGUE | 181 |
| TO—— | 186 |
| TO E. L., | 186 |
| LADY CLARE | 187 |
| THE LORD OF BURLEIGH | 189 |
| SIR LAUNCELOT AND QUEEN GUINEVERE | 191 |
| A FAREWELL | 192 |
| THE BEGGAR MAID | 192 |
| THE VISION OF SIN | 193 |
| COME NOT, WHEN I AM DEAD... | 197 |
| THE EAGLE | 197 |
| MOVE EASTWARD, HAPPY EARTH... | 198 |
| BREAK, BREAK, BREAK... | 198 |
| THE POET’S SONG | 198 |
| APPENDIX | 199 |
| POEMS PUBLISHED IN MDCCCXXX | 199 |
| THE “HOW” AND THE “WHY” | 199 |
| OF A SECOND-RATE SENSITIVE MIND NOT IN UNITY WITH ITSELF | 200 |
| THE BURIAL OF LOVE | 203 |
| SONG | 203 |
| SONG | 204 |
| ALL THINGS WILL DIE | 205 |
| HERO TO LEANDER | 205 |
| THE GRASSHOPPER | 207 |
| CHORUS | 207 |
| LOST HOPE | 208 |
| LOVE AND SORROW | 208 |
| SONNET | 209 |
| SONNET | 209 |
| LOVE | 210 |
| ENGLISH WAR SONG | 211 |
| DUALISMS | 212 |
| 213 |
| TO— | 213 |
| BUONAPARTE | 214 |
| SONNET | 214 |
| I | 214 |
| II | 214 |
| THE HESPERIDES | 214 |
| ROSALIND | 216 |
| SONG | 217 |
| SONNET | 218 |
| POLAND | 218 |
| TO— | 219 |
| O DARLING ROOM | 219 |
| THE SKIPPING ROPE | 219 |
| TIMBUCTOO | 220 |
| BIBLIOGRAPHY OF THE POEMS OF 1842. | 224 |
Copyrights
The Early Poems of Alfred Lord Tennyson from Project Gutenberg. Public domain.
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