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Pío Baroja

Manuel was glad to be left by himself with Reverte, contemplating the house, the yard, the ditch; he turned the carrousel round and it creaked ill-humouredly; he climbed up the swing frame, looked down at the hens, teased the pig a little and then ran up and down with the dog chasing after him barking merrily in feigned fury.

This dark depression attracted Manuel somehow or other, with its rubbish heaps, its gloomy hovels, its comical, dismantled merry-go-round, its swings, and its ground that held so many surprises, for a rough, ordinary pot burgeoned from its depths as easily as a lady’s elegant perfume phial; the rubber bulb of a prosaic syringe grew side by side with the satin, scented sheet of a love letter.

This rough, humble life, sustained by the detritus of a refined, vicious existence; this almost savage career in the suburbs of a metropolis, filled Manuel with enthusiasm.  It seemed to him that all the stuff cast aside in scorn by the capital,—­the ordure and broken tubs, the old flower-pots and toothless combs, buttons and sardine tins,—­all the rubbish thrown aside and spurned by the city, was dignified and purified by contact with the soil.

Manuel thought that if in time he should become the owner of a little house like Senor Custodio’s, and of a cart and donkeys, and hens and a dog, and find in addition a woman to love him, he would be one of the almost happy men in this world.

CHAPTER VII

  Senor Custodio’s Ideas—­La Justa, El Carnicerin, and El Conejo.

Senor Custodio was an intelligent fellow of natural gifts, very observant and quick to take advantage of a situation.  He could neither read nor write, yet made notes and kept accounts; with crosses and scratches of his own invention he devised a substitute for writing, at least for the purposes of his own business.

Senor Custodio was exceedingly eager for knowledge, and if it weren’t that the notion struck him as ridiculous, he would have set about learning how to read and write.  In the afternoon, work done, he would ask Manuel to read the newspapers and the illustrated reviews that he picked up on the streets, and the ragdealer and his wife listened with the utmost attention.

Senor Custodio had, too, several volumes of novels in serial form that had been left behind by his daughter, and Manuel began to read them aloud.

The comment of the ragdealer, who took this fiction for historic truth, was always perspicacious and just, revelatory of an instinct for reasoning and common sense.  The man’s realistic criticism was not always to Manuel’s taste, and at times the boy would make bold to defend a romantic, immoral thesis.  Senor Custodio, however, would at once cut him short, refusing to let him continue.

For professional reasons the ragdealer was much preoccupied with thought of the manure that went to waste in Madrid.  He would say to Manuel: 

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The Quest from Project Gutenberg. Public domain.

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