He had, at first, thought of hiding somewhere not
so far but that once a-week, or once a-month, he might
have stolen into the grounds, looked at the house
that held her—left, perhaps, in her walks
some little token of himself. But, on reflection,
he felt that that luxury would be too imprudent, and
it ceased to tempt him in proportion as he reasoned
himself into the stern wisdom of avoiding all that
could revive her grief for him. At the commencement
of this tale, in the outline given of that grand melodrama
in which Juliet Araminta played the part of the Bandit’s
Child, her efforts to decoy pursuit from the lair of
the persecuted Mime were likened to the arts of the
skylark to lure eye and hand from the nest of his
young. More appropriate that illustration now
to the parent-bird than then to the fledgling.
Farther and farther from the nest in which all his
love was centred fled the old man. What if Jasper
did discover him now; that very discovery would mislead
the pursuit from Sophy. Most improbable that
Losely would ever guess that they could become separated;
still more improbable, unless Waife, imprudently lurking
near her home, guided conjecture, that Losely should
dream of seeking under the roof of the lofty peeress
the child that had fled from Mr. Rugge.
Poor old man! his heart was breaking; but his soul
was so brightly comforted that there, where many,
many long miles off, I see him standing, desolate
and patient, in the corner of yon crowded market-place,
holding Sir Isaac by slackened string with listless
hand—Sir Isaac unshorn, travel-stained,
draggled, with drooping head and melancholy eyes—yea,
as I see him there, jostled by the crowd, to whom,
now and then, pointing to that huge pannier on his
arm, filled with some homely pedlar wares, he mechanically
mutters, “Buy”—yea, I say, verily,
as I see him thus, I cannot draw near in pity—I
see what the crowd does not—the shadow
of an angel’s wing over his grey head; and I
stand reverentially aloof, with bated breath and bended
knee.
CHAPTER IV.
A womantoooftenreasonsfromherheart—hencetwo-thirdsofher
mistakes and her troubles.
A man of genius, too, often reasons from
his heart-Wence, also,
two-thirds of his troubles and mistakes.
Wherefore, between woman
and genius there is A sympathetic Affinity;
each has some intuitive
comprehension of the secrets of the other,
and the more feminine
the woman, the more exquisite the genius, the
more subtle the intelligence
between the two. But note well that
this tacit understanding
becomes obscured, if human love pass across
its relations.
Shakespeare interprets aright the most intricate
Riddles in woman.
A woman was the first to interpret aright the art
that is latent in Shakespeare.
But did Anne Hathaway and
Shakespeare understand
each other?
Copyrights
What Will He Do with It — Volume 08 from Project Gutenberg. Public domain.