But Cecilia,—what impression did she create
upon the young visitor? Was he alive to the charm
of her rare beauty, to the grace of a mind sufficiently
stored for commune with those who love to think and
to imagine, and yet sufficiently feminine and playful
to seize the sportive side of realities, and allow
their proper place to the trifles which make the sum
of human things? An impression she did make,
and that impression was new to him and pleasing.
Nay, sometimes in her presence and sometimes when
alone, he fell into abstracted consultations with
himself, saying, “Kenelm Chillingly, now that
thou hast got back into thy proper skin, dost thou
not think that thou hadst better remain there?
Couldst thou not be contented with thy lot as erring
descendant of Adam, if thou couldst win for thy mate
so faultless a descendant of Eve as now flits before
thee?” But he could not abstract from himself
any satisfactory answer to the question he had addressed
to himself.
Once he said abruptly to Travers, as, on their return
from their rambles, they caught a glimpse of Cecilia’s
light form bending over the flower-beds on the lawn,
“Do you admire Virgil?”
“To say truth I have not read Virgil since I
was a boy; and, between you and me, I then thought
him rather monotonous.”
“Perhaps because his verse is so smooth in its
beauty?”
“Probably. When one is very young one’s
taste is faulty; and if a poet is not faulty, we are
apt to think he wants vivacity and fire.”
“Thank you for your lucid explanation,”
answered Kenelm, adding musingly to himself, “I
am afraid I should yawn very often if I were married
to a Miss Virgil.”
CHAPTER XVI.
THE house of Mr. Travers contained a considerable
collection of family portraits, few of them well painted,
but the Squire was evidently proud of such evidences
of ancestry. They not only occupied a considerable
space on the walls of the reception rooms, but swarmed
into the principal sleeping-chambers, and smiled or
frowned on the beholder from dark passages and remote
lobbies. One morning, Cecilia, on her way to
the china closet, found Kenelm gazing very intently
upon a female portrait consigned to one of those obscure
receptacles by which through a back staircase he gained
the only approach from the hall to his chamber.
“I don’t pretend to be a good judge of
paintings,” said Kenelm, as Cecilia paused beside
him; “but it strikes me that this picture is
very much better than most of those to which places
of honour are assigned in your collection. And
the face itself is so lovely that it would add an
embellishment to the princeliest galleries.”
“Yes,” said Cecilia, with a half-sigh.
“The face is lovely, and the portrait is considered
one of Lely’s rarest masterpieces. It used
to hang over the chimney-piece in the drawing-room.
My father had it placed here many years ago.”
Copyrights
Kenelm Chillingly — Complete from Project Gutenberg. Public domain.