shore of the myrtle and the vine, and entered the Imperial
City. The air of Rome seemed at first to operate
favourably upon the health of the English artist.
His strength appeared to increase, his spirit to expand;
and though he had relapsed into more than his original
silence and reserve, he resumed, with apparent energy,
the labours of the easel: so that they who looked
no deeper than the surface might have imagined the
scar healed, and the real foundation of future excellence
begun.
But while Warner most humbled himself before the gods
of the pictured world; while the true principles of
the mighty art opened in their fullest glory on his
soul; precisely at this very moment shame and despondency
were most bitter at his heart: and while the enthusiasm
of the painter kindled, the ambition of the man despaired.
But still he went on, transfusing into his canvas
the grandeur and simplicity of the Italian school;
still, though he felt palpably within him the creeping
advance of the deadliest and surest enemy to fame,
he pursued, with an unwearied ardour, the mechanical
completion of his task; still, the morning found him
bending before the easel, and the night brought to
his solitary couch meditation rather than sleep.
The fire, the irritability which he had evinced before
his illness had vanished, and the original sweetness
of his temper had returned; he uttered no complaint,
he dwelt upon no anticipation of success; hope and
regret seemed equally dead within him; and it was only
when he caught the fond, glad eyes of his aged attendant
that his own filled with tears, or that the serenity
of his brow darkened into sadness.
This went on for some months; till one evening they
found the painter by his window, seated opposite to
an unfinished picture. The pencil was still
in his hand; the quiet of settled thought was still
upon his countenance; the soft breeze of a southern
twilight waved the hair livingly from his forehead;
the earliest star of a southern sky lent to his cheek
something of that subdued lustre which, when touched
by enthusiasm, it had been accustomed to wear; but
these were only the mockeries of life: life itself
was no more! He had died, reconciled, perhaps,
to the loss of fame, in discovering that Art is to
be loved for itself, and not for the rewards it may
bestow upon the artist.
There are two tombs close to each other in the strangers’
burial-place at Rome: they cover those for whom
life, unequally long, terminated in the same month.
The one is of a woman, bowed with the burden of many
years: the other darkens over the dust of the
young artist.
CHAPTER XXV.
Think
upon my grief,
And on the justice of my flying
hence,
To keep me from a most unholy
match.—SHAKSPEARE.
“But are you quite sure,” said General
St. Leger, “are you quite sure that this girl
still permits Mordaunt’s addresses?”
Copyrights
The Disowned — Volume 03 from Project Gutenberg. Public domain.