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Guy de Maupassant

My elder sons never loved me, never petted me, scarcely treated me as a mother, but during my whole life I did my duty towards them, and I owe them nothing more after my death.  The ties of blood cannot exist without daily and constant affection.  An ungrateful son is less than, a stranger; he is a culprit, for he has no right to be indifferent towards his mother.

SHORT STORIES VOLUME XI.

I held my tongue, and thought over those words.  Oh, ethics!  Oh, logic!  Oh, wisdom!  At his age!  So they deprived him of his only remaining pleasure out of regard for his health!  His health!  What would he do with it, inert and trembling wreck that he was?  They were taking care of his life, so they said.  His life?  How many days?  Ten, twenty, fifty, or a hundred?  Why?  For his own sake?  Or to preserve for some time longer the spectacle of his impotent greediness in the family.

But all at once one envelope made me start.  My name was traced on it in a large, bold handwriting; and suddenly tears came to my eyes.  That letter was from my dearest friend, the companion of my youth, the confidant of my hopes; and he appeared before me so clearly, with his pleasant smile and his hand outstretched, that a cold shiver ran down my back.  Yes, yes, the dead come back, for I saw him!  Our memory is a more perfect world than the universe:  it gives back life to those who no longer exist.

But she shook with rage, and got up one of those conjugal scenes which make a peaceable man dread the domestic hearth more than a battlefield where bullets are raining.

SHORT STORIES VOLUME XII.

Monsieur Saval, who was called in Mantes “Father Saval,” had just risen from bed.  He was weeping.  It was a dull autumn day; the leaves were falling.  They fell slowly in the rain, like a heavier and slower rain.  M. Saval was not in good spirits.  He walked from the fireplace to the window, and from the window to the fireplace.  Life has its sombre days.  It would no longer have any but sombre days for him, for he had reached the age of sixty-two.  He is alone, an old bachelor, with nobody about him.  How sad it is to die alone, all alone, without any one who is devoted to you!

He pondered over his life, so barren, so empty.  He recalled former days, the days of his childhood, the home, the house of his parents; his college days, his follies; the time he studied law in Paris, his father’s illness, his death.  He then returned to live with his mother.  They lived together very quietly, and desired nothing more.  At last the mother died.  How sad life is!  He lived alone since then, and now, in his turn, he, too, will soon be dead.  He will disappear, and that will be the end.  There will be no more of Paul Saval upon the earth.  What a frightful thing!  Other people will love, will laugh.  Yes, people will go on amusing themselves, and he will no longer exist!  Is it not strange that people can laugh, amuse themselves, be joyful under that eternal certainty of death?  If this death were only probable, one could then have hope; but no, it is inevitable, as inevitable as that night follows the day.

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Images from Short Stories of Maupassant from Project Gutenberg. Public domain.

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