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Bjørnstjerne Bjørnson

Svava.  But there was something you wanted to say to me?

Hoff.  Yes, there was.  You see, these Kindergartens—­

Svava.  Oh, so it was them, all the time?

Hoff.  No, it was not them.  But they are responsible for my having for a long time thought very highly of you, Miss Riis.  If you will excuse my saying so, I had never before seen fashionable young ladies trying to do anything useful—­never.  I am only a little broken-down tradesman travelling for a firm—­a worthless sort of chap in many ways, and one that very likely deserves what he has got—­but anyway I wanted you to be spared.  Indeed thought it was my duty—­absolutely my duty.  But now when I see you sitting there before me—­well, now I only I feel miserably unhappy.  So I won’t trouble you at all (Gets up.) Not at all.

Svava.  I really cannot understand—­

Hoff.  Please don’t bother about me!  And please forgive my disturbing you.—­No, you really must not give me another thought!  Just imagine that I have not been here—­that is all. (As he reaches the door, he meets ALFRED coming in.  As soon as he sees that SVAVA is watching them, he goes hurriedly out.  SVAVA sees the meeting between the two and gives a little scream, then rushes to meet ALFRED. But as soon as she is face to face with him, she seems terrified.  As he comes nearer to take her in his arms she cries out:  “Don’t touch me!” and hurries out by the door on the left.  She is heard locking and bolting it on the inside.  Then a violent outburst of weeping is heard, the sound being somewhat deadened by the distance, but only for a few moments.  Then the sound of singing is heard outside, and a few seconds later RIIS comes into the room.  The curtain falls as he enters.)

ACT II

(SCENE.—­The same as in Act I. SVAVA is lying on the couch to the right, resting her head on one hand, looking out towards the park.  Her mother is sitting beside her.)

Mrs. Riis.  Decisions as hasty as yours, Svava, are not really decisions at all.  There is always a great deal more to be taken into consideration than one realises at first.  Take time to think it over!  I believe he is a fine fellow.  Give him time to show it; don’t break it off immediately!

Svava.  Why do you keep on saying that to me?

Mrs. Riis.  Well, dear, you know I have never had the chance of saying anything to you till to-day.

Svava.  But you keep harping on that one string.

Mrs. Riis.  What note do you want me to strike, then?

Svava.  The note your dear good mother would have struck—­quite a different one altogether.

Mrs. Riis.  It is one thing to teach your child how to make a proper choice in life, but—­

Svava.  But quite another thing to put into practice what you teach?

Mrs. Riis.  No; I was going to say that life itself is quite another thing.  In daily life, and especially in married life, it is sometimes advisable to make allowances.

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Three Comedies from Project Gutenberg. Public domain.

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