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History of the Decline and Fall of the Roman Empire — Volume 5 eBook

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Edward Gibbon

the strong evidence of visions and miracles; and the pictures which speak, and move, and bleed, must be endowed with a divine energy, and may be considered as the proper objects of religious adoration.  The most audacious pencil might tremble in the rash attempt of defining, by forms and colors, the infinite Spirit, the eternal Father, who pervades and sustains the universe. ^5 But the superstitious mind was more easily reconciled to paint and to worship the angels, and, above all, the Son of God, under the human shape, which, on earth, they have condescended to assume.  The second person of the Trinity had been clothed with a real and mortal body; but that body had ascended into heaven:  and, had not some similitude been presented to the eyes of his disciples, the spiritual worship of Christ might have been obliterated by the visible relics and representations of the saints.  A similar indulgence was requisite and propitious for the Virgin Mary:  the place of her burial was unknown; and the assumption of her soul and body into heaven was adopted by the credulity of the Greeks and Latins.  The use, and even the worship, of images was firmly established before the end of the sixth century:  they were fondly cherished by the warm imagination of the Greeks and Asiatics:  the Pantheon and Vatican were adorned with the emblems of a new superstition; but this semblance of idolatry was more coldly entertained by the rude Barbarians and the Arian clergy of the West.  The bolder forms of sculpture, in brass or marble, which peopled the temples of antiquity, were offensive to the fancy or conscience of the Christian Greeks:  and a smooth surface of colors has ever been esteemed a more decent and harmless mode of imitation. ^6

[Footnote 2:  Nec intelligunt homines ineptissimi, quod si sentire simulacra et moveri possent, adoratura hominem fuissent a quo sunt expolita. (Divin.  Institut. l. ii. c. 2.) Lactantius is the last, as well as the most eloquent, of the Latin apologists.  Their raillery of idols attacks not only the object, but the form and matter.]

[Footnote 3:  See Irenaeus, Epiphanius, and Augustin, (Basnage, Hist. des Eglises Reformees, tom. ii. p. 1313.) This Gnostic practice has a singular affinity with the private worship of Alexander Severus, (Lampridius, c. 29.  Lardner, Heathen Testimonies, vol. iii. p. 34.)]

[Footnote 4:  See this History, vol. ii. p. 261; vol. ii. p. 434; vol. iii. p. 158 — 163.]

[Footnote 5:  (Concilium Nicenum, ii. in Collect.  Labb. tom. viii. p. 1025, edit.  Venet.) Il seroit peut-etre a-propos de ne point souffrir d’images de la Trinite ou de la Divinite; les defenseurs les plus zeles des images ayant condamne celles-ci, et le concile de Trente ne parlant que des images de Jesus Christ et des Saints, (Dupin, Bibliot.  Eccles. tom. vi. p. 154.)]

[Footnote 6:  This general history of images is drawn from the xxiid book of the Hist. des Eglises Reformees of Basnage, tom. ii. p. 1310 — 1337.  He was a Protestant, but of a manly spirit; and on this head the Protestants are so notoriously in the right, that they can venture to be impartial.  See the perplexity of poor Friar Pagi, Critica, tom. i. p. 42.]

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History of the Decline and Fall of the Roman Empire — Volume 5 from Project Gutenberg. Public domain.

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