ashamed of, for she was therein false to the being
she thought she loved best in the world. Could
Lenorme have known her capable of unbosoming herself
to such a woman, it would almost have slain the love
he bore her. The notions of that odd and end
sort of person, who made his livelihood by spreading
paint, would have been too hideously shocked by the
shadow of an intimacy between his love and such as
she.
Caley first comforted the weeping girl, and then began
to insinuate encouragement. She must indeed give
him up—there was no help for that; but
neither was there any necessity for doing so all at
once. Mr Lenorme was a beautiful man, and any
woman might be proud to be loved by him. She
must take her time to it. She might trust her.
And so on and on—for she was as vulgar minded
as the worst of those whom ladies endure about their
persons, handling their hair, and having access to
more of their lock fast places than they would willingly
imagine.
The first result was that, on the pretext of bidding
him farewell, and convincing him that he and she must
meet no more, fate and fortune, society and duty being
all alike against their happiness —I mean
on that pretext to herself, the only one to be deceived
by it—Florimel arranged with her woman one
evening to go the next morning to the studio:
she knew the painter to be an early riser, and always
at his work before eight o’clock. But although
she tried to imagine she had persuaded herself to
say farewell, certainly she had not yet brought her
mind to any ripeness of resolve in the matter.
At seven o’clock in the morning, the marchioness
habited like a housemaid, they slipped out by the
front door, turned the corners of two streets, found
a hackney coach waiting for them, and arrived in due
time at the painter’s abode.
CHAPTER XXX: A QUARREL
When the door opened and Florimel glided in, the painter
sprang to his feet to welcome her, and she flew softly,
soundless as a moth, into his arms; for the study
being large and full of things, she was not aware
of the presence of Malcolm. From behind a picture
on an easel, he saw them meet, but shrinking from being
an open witness to their secret, and also from being
discovered in his father’s clothes by the sister
who knew him only as a servant, he instantly sought
escape. Nor was it hard to find, for near where
he stood was a door opening into a small intermediate
chamber, communicating with the drawing room, and
by it he fled, intending to pass through to Lenorme’s
bedroom, and change his clothes. With noiseless
stride he hurried away, but could not help hearing
a few passionate words that escaped his sister’s
lips before Lenorme could warn her that they were
not alone—words which, it seemed to him,
could come only from a heart whose very pulse was devotion.
“How can I live without you, Raoul?” said
the girl as she clung to him.
Copyrights
The Marquis of Lossie from Project Gutenberg. Public domain.