was; that he had shown his ideas and practices of
life to be those of a second mate, nor more nor less,
without the gloss of regret or the pretenses to refinement
that might be pleasing to the supposed philanthropist
with whom he had fallen in. Captain Gooding was
of course a true portrait; and there was nothing in
Jonathan Tinker’s statement of the relations
of a second mate to his superiors and his inferiors
which did not agree perfectly with what the contributor
had just read in “Two Years before the Mast,”—a
book which had possibly cast its glamour upon the
adventure. He admired also the just and perfectly
characteristic air of grief in the bereaved husband
and father,—those occasional escapes from
the sense of loss into a brief hilarity and forgetfulness,
and those relapses into the hovering gloom, which
every one has observed in this poor, crazy human nature
when oppressed by sorrow, and which it would have
been hard to simulate. But, above all, he exulted
in that supreme stroke of the imagination given by
the second mate when, at parting, he said he believed
he would go down and sleep on board the vessel.
In view of this, the State’s Prison theory almost
appeared a malign and foolish scandal.
Yet even if this theory were correct, was the second
mate wholly answerable for beginning his life again
with the imposture he had practiced? The contributor
had either so fallen in love with the literary advantages
of his forlorn deceiver that he would see no moral
obliquity in him, or he had touched a subtler verity
at last in pondering the affair. It seemed now
no longer a farce, but had a pathos which, though very
different from that of its first aspect, was hardly
less tragical. Knowing with what coldness, or,
at the best, uncandor, he (representing Society in
its attitude toward convicted Error) would have met
the fact had it been owned to him at first, he had
not virtue enough to condemn the illusory stranger,
who must have been helpless to make at once evident
any repentance he felt or good purpose he cherished.
Was it not one of the saddest consequences of the
man’s past,—a dark necessity of misdoing,—
that, even with the best will in the world to retrieve
himself, his first endeavor must involve a wrong?
Might he not, indeed, be considered a martyr, in some
sort, to his own admirable impulses? I can see
clearly enough where the contributor was astray in
this reasoning, but I can also understand how one
accustomed to value realities only as they resembled
fables should be won with such pensive sophistry; and
I can certainly sympathize with his feeling that the
mariner’s failure to reappear according to appointment
added its final and most agreeable charm to the whole
affair, and completed the mystery from which the man
emerged and which swallowed him up again.
SCENE
Copyrights
Suburban Sketches from Project Gutenberg. Public domain.