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H. Rider (Henry Rider) Haggard

  As the nightingale’s song that is full of a sweetness unspoken,
  As a spirit unbarring the gates of the skies for a token,
  So is love! ay, the love that shall fall when his pinion is broken.

  As the tramp of the legions when trumpets their challenge are sending,
  As the shout of the Storm-god when lightnings the black sky are rending,
  So is power! ay, the power that shall lie in the dust at its ending.

  So short is our life; yet with space for all things to forsake us,
  A bitter delusion, a dream from which nought can awake us,
  Till Death’s dogging footsteps at morn or at eve shall o’ertake us.

Refrain

Oh, the world is fair at the dawning —­ dawning —­ dawning, But the red sun sinks in blood —­ the red sun sinks in blood.

I only wish that I could write down the music too.

‘Now, Curtis, now,’ I whispered, when she began the second verse, and turned my back.

‘Nyleptha,’ he said —­ for my nerves were so much on the stretch that I could hear every word, low as it was spoken, even through Sorais’ divine notes —­ ’Nyleptha, I must speak with thee this night, upon my life I must.  Say me not nay; oh, say me not nay!’

‘How can I speak with thee?’ she answered, looking fixedly before her; ‘Queens are not like other people.  I am surrounded and watched.’

’Listen, Nyleptha, thus.  I will be before the statue of Rademas in the great hall at midnight.  I have the countersign and can pass in.  Macumazahn will be there to keep guard, and with him the Zulu.  Oh come, my Queen, deny me not.’

‘It is not seemly,’ she murmured, ‘and tomorrow —­’

Just then the music began to die in the last wail of the refrain, and Sorais slowly turned her round.

‘I will be there,’ said Nyleptha, hurriedly; ’on thy life see that thou fail me not.’

CHAPTER XVI BEFORE THE STATUE

It was night —­ dead night —­ and the silence lay on the Frowning City like a cloud.

Secretly, as evildoers, Sir Henry Curtis, Umslopogaas, and myself threaded our way through the passages towards a by-entrance to the great Throne Chamber.  Once we were met by the fierce rattling challenge of the sentry.  I gave the countersign, and the man grounded his spear and let us pass.  Also we were officers of the Queens’ bodyguard, and in that capacity had a right to come and go unquestioned.

We gained the hall in safety.  So empty and so still was it, that even when we had passed the sound of our footsteps yet echoed up the lofty walls, vibrating faintly and still more faintly against the carven roof, like ghosts of the footsteps of dead men haunting the place that once they trod.

It was an eerie spot, and it oppressed me.  The moon was full, and threw great pencils and patches of light through the high windowless openings in the walls, that lay pure and beautiful upon the blackness of the marble floor, like white flowers on a coffin.  One of these silver arrows fell upon the statue of the sleeping Rademas, and of the angel form bent over him, illumining it, and a small circle round it, with a soft clear light, reminding me of that with which Catholics illumine the altars of their cathedrals.

Copyrights
Allan Quatermain from Project Gutenberg. Public domain.

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