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Sarah Bernhardt

After a few moments she looked at the poor orchid which had dropped on the cold marble mantel-piece.  She lifted it up carefully and placed it in some fresh water.

Then she sat down before the vases where the two rival flowers displayed their charms.  She was bitterly conscious of being impelled by a new inner force, an almost evil force.  And she looked from the mantel to the ivory Virgin, whose open hands seemed to be showering blessings.

Esperance looked back to the white orchid.

“If I do not marry that man I am lost,” she thought.

Almost terrified, she got up and walked about to calm herself, to conquer the instinct which her reason told her was wrong.  Still under the strain of the emotions of the triumphal day, and to escape the disagreeable thought the sight of the radiant gardenias provoked in her, she began to write a long letter to the Countess Styvens.  That soothed her nervousness a little.  She poured out all her heart in the letter, for she knew that this woman loved her independently of the love of her son—­loved her entirely for her own self.

Two days later Esperance received a letter from the Director of the Comedie-Francaise, asking her to call at four o’clock that same day at the theatre.  At the right hour she went with her mother and Mlle. Frahender.  Without delay she was at once engaged, for Madame Darbois had the spoken and written authority of her husband to make what arrangements her daughter should desire.  The Director was most complimentary to the young actress and asked what role she would care to choose for her debut.  Esperance proclaimed her preference for “Dona Sol” in Hernani or “Camille” in “On ne badine pas avec l’amour.”

Her heart was filled with emotion as she was leaving the great house of which in future she would be a part.  The Place du Carrousel, the perspective of the Tuileries, and the Champs Elysees seemed more beautiful than ever before.  The passers-by were charming.  Everything, everywhere, spoke only of happiness and hope.

“Mama, dear mama, I am so happy.”

PART III.  THE COUNTRY

CHAPTER XVI

After the recent excitement at the Conservatoire, following the competition, Esperance was delighted to act upon the Doctor’s advice to leave Paris.  Doctor Potain had told the philosopher that it was absolutely imperative that his daughter should have two or three months of absolute quiet.  He suggested the mountains; but Esperance would have none of them.  She loved far horizons and vast plains, but her real choice was the sea.  So it was decided that the family should go to their little farm at Belle-Isle-en-Mer.

“You must go immediately,” the Doctor commanded, “and to begin with you must have two weeks’ complete repose, in the sun, in a comfortable reclining chair.”

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The Idol of Paris from Project Gutenberg. Public domain.

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