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Ivan Sergeevich Turgenev

In Bersenyev’s room there was a piano, small, and by no means new, but of a soft and sweet tone, though not perfectly in tune.  Bersenyev sat down to it, and began to strike some chords.  Like all Russians of good birth, he had studied music in his childhood, and like almost all Russian gentlemen, he played very badly; but he loved music passionately.  Strictly speaking, he did not love the art, the forms in which music is expressed (symphonies and sonatas, even operas wearied him), but he loved the poetry of music:  he loved those vague and sweet, shapeless, and all-embracing emotions which are stirred in the soul by the combinations and successions of sounds.  For more than an hour, he did not move from the piano, repeating many times the same chords, awkwardly picking out new ones, pausing and melting over the minor sevenths.  His heart ached, and his eyes more than once filled with tears.  He was not ashamed of them; he let them flow in the darkness.  ‘Pavel was right,’ he thought, ’I feel it; this evening will not come again.’  At last he got up, lighted a candle, put on his dressing-gown, took down from the bookshelf the second volume of Raumer’s History of the Hohenstaufen, and sighing twice, he set to work diligently to read it.

VI

Meanwhile, Elena had gone to her room, and sat down at the open window, her head resting on her hands.  To spend about a quarter of an hour every evening at her bedroom window had become a habit with her.  At this time she held converse with herself, and passed in review the preceding day.  She had not long reached her twentieth year.  She was tall, and had a pale and dark face, large grey eyes under arching brows, covered with tiny freckles, a perfectly regular forehead and nose, tightly compressed lips, and a rather sharp chin.  Her hair, of a chestnut shade, fell low on her slender neck.  In her whole personality, in the expression of her face, intent and a little timorous, in her clear but changing glance, in her smile, which was, as it were, intense, in her soft and uneven voice, there was something nervous, electric, something impulsive and hurried, something, in fact, which could never be attractive to every one, which even repelled some.

Her hands were slender and rosy, with long fingers; her feet were slender; she walked swiftly, almost impetuously, her figure bent a little forward.  She had grown up very strangely; first she idolised her father, then she became passionately devoted to her mother, and had grown cold to both of them, especially to her father.  Of late years she had behaved to her mother as to a sick grandmother; while her father, who had been proud of her while she had been regarded as an exceptional child, had come to be afraid of her when she was grown up, and said of her that she was a sort of enthusiastic republican—­no one could say where she got it from.  Weakness revolted her, stupidity made her angry, and deceit she could never, never pardon.  She was exacting beyond all bounds, even her prayers had more than once been mingled with reproaches.  When once a person had lost her respect—­and she passed judgment quickly, often too quickly—­he ceased to exist for her.  All impressions cut deeply into her heart; life was bitter earnest for her.

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On the Eve from Project Gutenberg. Public domain.

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