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Ivan Sergeevich Turgenev

Much of this peculiar gift of fascination is certainly due to Turgenev’s mastery over all the resources of our rich, flexible, and musical language.  The poet Lermontov alone wrote as splendid a prose as Turgenev.  A good deal of its charm is unavoidably lost in translation.  But I am happy to say that the present one is as near an approach to the elegance and poetry of the original as I have ever come across.

  S. STEPNIAK.

  BEDFORD PARK, April 20, 1894.

THE NAMES OF THE CHARACTERS IN THE BOOK

DMITRI NIKOLA’ITCH RU’DIN.

DAR-YA MIHA’ILOVNA LASU’NSKY.

NATA’L-YA ALEX-YE’VNA.

MIHA’ILO MIHA’ILITCH LE’ZH-NYOV (MISHA).

ALEXANDRA PA’VLOVNA LI’PIN (SASHA).

SERGEI (pron, Sergay) PA’VLITCH VOLI’NT-SEV (SEREZHA).

KONSTANTIN DIOMIDITCH PANDALE’VSKY.

AFRICAN SEME’NITCH PIGA’SOV.

BASSI’STOFF.

MLLE. BONCOURT.

In transcribing the Russian names into English—­

a has the sound of a in father. er , , air. i , , ee. u , , oo. y is always consonantal except when it is the last letter of the word. g is always hard.

I

IT was a quiet summer morning.  The sun stood already pretty high in the clear sky but the fields were still sparkling with dew; a fresh breeze blew fragrantly from the scarce awakened valleys and in the forest, still damp and hushed, the birds were merrily carolling their morning song.  On the ridge of a swelling upland, which was covered from base to summit with blossoming rye, a little village was to be seen.  Along a narrow by-road to this little village a young woman was walking in a white muslin gown, and a round straw hat, with a parasol in her hand.  A page boy followed her some distance behind.

She moved without haste and as though she were enjoying the walk.  The high nodding rye all round her moved in long softly rustling waves, taking here a shade of silvery green and there a ripple of red; the larks were trilling overhead.  The young woman had come from her own estate, which was not more than a mile from the village to which she was turning her steps.  Her name was Alexandra Pavlovna Lipin.  She was a widow, childless, and fairly well off, and lived with her brother, a retired cavalry officer, Sergei Pavlitch Volintsev.  He was unmarried and looked after her property.

Alexandra Pavlovna reached the village and, stopping at the last hut, a very old and low one, she called up the boy and told him to go in and ask after the health of its mistress.  He quickly came back accompanied by a decrepit old peasant with a white beard.

‘Well, how is she?’ asked Alexandra Pavlovna.

‘Well, she is still alive,’ began the old man.

‘Can I go in?’

‘Of course; yes.’

Alexandra Pavlovna went into the hut.  It was narrow, stifling, and smoky inside.  Some one stirred and began to moan on the stove which formed the bed.  Alexandra Pavlovna looked round and discerned in the half darkness the yellow wrinkled face of the old woman tied up in a checked handkerchief.  Covered to the very throat with a heavy overcoat she was breathing with difficulty, and her wasted hands were twitching.

Copyrights
Rudin from Project Gutenberg. Public domain.

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