The next night—Easter Monday—there
was a great display of fireworks from the Castle of
St. Angelo. We hired a room in an opposite house,
and made our way, to our places, in good time, through
a dense mob of people choking up the square in front,
and all the avenues leading to it; and so loading
the bridge by which the castle is approached, that
it seemed ready to sink into the rapid Tiber below.
There are statues on this bridge (execrable works),
and, among them, great vessels full of burning tow
were placed: glaring strangely on the faces
of the crowd, and not less strangely on the stone
counterfeits above them.
The show began with a tremendous discharge of cannon;
and then, for twenty minutes or half an hour, the
whole castle was one incessant sheet of fire, and
labyrinth of blazing wheels of every colour, size,
and speed: while rockets streamed into the sky,
not by ones or twos, or scores, but hundreds at a
time. The concluding burst— the Girandola—was
like the blowing up into the air of the whole massive
castle, without smoke or dust.
In half an hour afterwards, the immense concourse
had dispersed; the moon was looking calmly down upon
her wrinkled image in the river; and half-a-dozen
men and boys, with bits of lighted candle in their
hands: moving here and there, in search of anything
worth having, that might have been dropped in the
press: had the whole scene to themselves.
By way of contrast we rode out into old ruined Rome,
after all this firing and booming, to take our leave
of the Coliseum. I had seen it by moonlight
before (I could never get through a day without going
back to it), but its tremendous solitude that night
is past all telling. The ghostly pillars in
the Forum; the Triumphal Arches of Old Emperors; those
enormous masses of ruins which were once their palaces;
the grass-grown mounds that mark the graves of ruined
temples; the stones of the Via Sacra, smooth with the
tread of feet in ancient Rome; even these were dimmed,
in their transcendent melancholy, by the dark ghost
of its bloody holidays, erect and grim; haunting the
old scene; despoiled by pillaging Popes and fighting
Princes, but not laid; wringing wild hands of weed,
and grass, and bramble; and lamenting to the night
in every gap and broken arch—the shadow
of its awful self, immovable!
As we lay down on the grass of the Campagna, next
day, on our way to Florence, hearing the larks sing,
we saw that a little wooden cross had been erected
on the spot where the poor Pilgrim Countess was murdered.
So, we piled some loose stones about it, as the beginning
of a mound to her memory, and wondered if we should
ever rest there again, and look back at Rome.
CHAPTER XI—A RAPID DIORAMA
We are bound for Naples! And we cross the threshold
of the Eternal City at yonder gate, the Gate of San
Giovanni Laterano, where the two last objects that
attract the notice of a departing visitor, and the
two first objects that attract the notice of an arriving
one, are a proud church and a decaying ruin—good
emblems of Rome.
Copyrights
Pictures from Italy from Project Gutenberg. Public domain.