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Rudyard Kipling

       Bends lower, MRS. G. slides right arm round his
       neck.  Several interludes and much sobbing.

MRS. G. (In a whisper.) I didn’t mean about the jam when I came in to tell you——­

CAPT.  G. Bother the jam and the equipment! (Interlude.)

MRS. G. (Still more faintly.) My finger wasn’t scalded at all.  I—­I wanted to speak to you about—­about—­something else, and—­I didn’t know how.

CAPT.  G. Speak away, then. (Looking into her eyes.) Eh!  Wha—­at?  Minnie!  Here, don’t go away!  You don’t mean?

MRS. G. (Hysterically, backing to portiere and hiding her face in its folds.) The—­the Almost Inevitable Consequences! (Flits though portiere as G. attempts to catch her, and bolts herself in her own room.)

CAPT.  G. (His arms full of portiere.) Oh! (Sitting down heavily in chair.) I’m a brute—­a pig—­a bully, and a blackguard.  My poor, poor little darling!  ’Made to be amused only—?

THE VALLEY OF THE SHADOW

Knowing Good and Evil.

SCENE.—­The GADSBYS’ bungalow in the Plains, in June.  Punkah-coolies asleep in veranda where CAPTAIN GADSBY is walking up and down. DOCTOR’S trap in porch. JUNIOR CHAPLAIN drifting generally and uneasily through the house.  Time, 3.40 A. M. Heat 94 degrees in veranda.

DOCTOR. (Coming into veranda and touching G. on the shoulder.) You had better go in and see her now.

CAPT.  G. (The colour of good cigar-ash.) Eh, wha-at?  Oh, yes, of course.  What did you say?

DOCTOR. (Syllable by syllable.) Go—­in—­to—­the—­room—­and—­see—­her.  She wants to speak to you. (Aside, testily.) I shall have him on my hands next.

JUNIOR CHAPLAIN. (In half-lighted dining-room.) Isn’t there any—?

DOCTOR. (Savagely.) Hsh, you little fool!

JUNIOR CHAPLAIN.  Let me do my work.  Gadsby, stop a minute! (Edges after G.)

DOCTOR.  Wait till she sends for you at least—­at least.  Man alive, he’ll kill you if you go in there!  What are you bothering him for?

JUNIOR CHAPLAIN. (Coming into veranda.) I’ve given him a stiff brandy-peg.  He wants it.  You’ve forgotten him for the last ten hours and—­forgotten yourself too.

       G. enters bedroom, which is lit by one night-lamp. 
       Ayah on the floor pretending to be asleep.

VOICE. (From the bed.) All down the street—­such_ bonfires! Ayah, go and put them out! (Appealingly.) How can I sleep with an installation of the C.I.E. in my room?  No—­not C.I.E.  Something else. What was it?

CAPT.  G. (Trying to control his voice.) Minnie, I’m here. (Bending over bed.) Don’t you know me, Minnie?  It’s me—­it’s Phil—­it’s your husband.

Copyrights
Soldiers Three from Project Gutenberg. Public domain.

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