Sculpture of the Exposition Palaces and Courts eBook

This eBook from the Gutenberg Project consists of approximately 50 pages of information about Sculpture of the Exposition Palaces and Courts.

Sculpture of the Exposition Palaces and Courts eBook

This eBook from the Gutenberg Project consists of approximately 50 pages of information about Sculpture of the Exposition Palaces and Courts.

Furio Piccirilli

Living in New York in truly Florentine style is the Piccirilli family — a household of five families.  It is said that nowhere in America is the old Florentine style of the fourteenth century way of living so well exemplified.  The men of the family were marble cutters, but within the last few years Attilio, an elder brother, has been expressing himself in sculpture of a pronounced order.  Furio is a young member who is coming to the front thru the very lovely representations of his work at the Panama-Pacific International Exposition.  He has given a fine human touch to his work.  It stands quite apart in its Italian feeling from the robust American sculpture.

Frederick Roth

Frederick Roth is one of the greatest animal sculptors of the United States and is studying abroad year by year.  He was born in Brooklyn, New York, in 1872, and was fortunate in being sent to Berlin and Vienna to pursue his studies when he was very young.  He attracted very favorable attention at the Pan-American Exposition by his great originality and technical skill.  He is extremely fond of modeling small animals, many of which can be seen in the Fine Arts Palace of the Exposition.  “The Equestrienne” is as clever and spirited a small work as he has done.

Ralph Stackpole

Ralph Stackpole, one of the younger sculptors, was born near Grants Pass, Oregon, in 1881.  At the age of sixteen he began his art study at the San Francisco School of Design, remaining here for the short period of four months.  He later studied with G. F. P. Piazzoni and Arthur Putnam, and considers that from these men he received his best instruction.  In 1906 he went to Paris, where he continued his studies at the Ecole des Beaux Arts and Atelier Merces, where he remained two years.  He exhibited his work at the Salon in 1901.  You meet the man face to face in his work on the Varied Industries Palace.  He is sincere, broad, direct.  As to his reverence and refined feeling, you need but to look at his “Kneeling Figure” at the altar in front of the Fine Arts Palace to see that he possesses these qualities in abundance.

Louis Ulrich

The world is probably receiving its first introduction to Louis Ulrich, a pupil of the joint school of the National Sculpture Society and the Society of Beaux Arts Architects.  He has achieved a “crowning success” in his dignified figure of sweeping lines.

Albert Weinert

Albert Weinert was born at Leipzig, Germany, in 1863.  He studied at the Art Academy at Leipzig under Meichior zur Strapen, later coming to America, where he is now located in New York.  He has done a great deal of municipal work of a high order, among which can be mentioned sculpture work on the interior of the Congressional Library at Washington, a monument to President McKinley for Toledo, Ohio, a “Lord Baltimore” for Maryland and some very excellent statues on the facade of the Masonic Building, San Francisco.  His work in the Court of the Ages has added greatly to the interest of that Court and is forceful, virile work.

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Sculpture of the Exposition Palaces and Courts from Project Gutenberg. Public domain.