Barbara Blomberg — Complete eBook

Georg Ebers
This eBook from the Gutenberg Project consists of approximately 583 pages of information about Barbara Blomberg Complete.

Yet she did not regret it; true, she cared no more for Pyramus Kogel than for any one else—­the certainty that he, too, had succumbed to the spell of her beauty was associated with a feeling of pleasure whose charm she knew and valued.

CHAPTER VII.

Every one in Ratisbon or at the court who spoke of Sir Wolf Hartschwert called him an excellent fellow.  In fact, he had so few defects and faults that perhaps it might have been better for his advancement in life and his estimation in the circle of society to which he belonged if more of them had clung to him.

Hitherto the vice of avarice was the last with which he could have been reproached.  But, when his old friend filled his glass with wine, the desire that the property left to him might prove larger than he had expected overpowered every other feeling.

Formerly it had been welcome mainly as a testimonial of his old friend’s affection.  He did not need it for his own wants; his position at court yielded him a far larger income than he required for the modest life to which he was accustomed.  For Barbara’s sake alone he eagerly hoped that he had greatly underestimated his foster parents’ possessions.

Ought he to blame her because she desired to change the life of poverty with her father for one which better harmonized with her worth and tastes?  He himself, who had lived years in a Roman palace, surrounded by exquisite works of the gloriously developed Italian art, and then in the one at Brussels, furnished with imperial splendour, did not feel perfectly content in the more than simple room which Blomberg called his “artist workshop.”

A few rude wooden chairs, a square table with clumsy feet, and an open cupboard in which stood a few tin cups, were, the sole furniture of the narrow, disproportionately long room, whose walls were washed with gray.  The ceiling, with its exposed beams, was blackened by the pine torches which were often used for lights.  Pieces of board were nailed over the defective spots in the floor, and the lines where the walls met rarely showed a right angle.

The window disappeared in the darkness.  It was in the back of the niche formed by the unusually thick walls.  During the day its small, round panes gave the old gentleman light while he guided his graving tool.  A wooden tripod supported the board on which his tools lay.  The stool, which usually stood on a wooden trestle opposite to it, now occupied a place before the table bearing the flagon of wine, and was intended for Barbara.

After the torches had ceased to burn, a single tallow candle in a wrought-iron candlestick afforded the two men light, and threatened to go out when, in the eagerness of their conversation, they forgot to use the snuffers.

Neither curtain, carpet, nor noteworthy work of art pleased the eye in this bare, strangely narrow room.  The weapons and pieces of armour of the aged champion of the faith, which hung high above the window, made no pretension to beauty.  Besides, the rays of the dim candle did not extend to them any more than to the valueless pictures of saints and virgins on the wall.

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Project Gutenberg
Barbara Blomberg — Complete from Project Gutenberg. Public domain.
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